Global
Hollywood is popularly perceived as a realm of romance and glamor. But over the decades the entertainment industry has also been the site of intense labor organizing and struggles between craft and trade employees against management and owners, in the form of studio executives, producers and movie moguls. In this article we take a look back at a teachable moment for organized labor: The 2007-2008 strike that rocked Tinseltown and how the workers organized to win one of the rare union triumphs during the Bush era.
Podcast here: https://kpfa.org/episode/flashpoints-february-23-2022
With Special Guests: Linda Pentz Gunter, Joseph Mangano, Myla Reson
Also see Harvey's Article: Nuke Power at the Brink of Bankruptcy, War, Apocalypse
When Nelson Mandela was freed from his Robben Island prison on February 11, 1991, my family, friends and neighbors followed the event with keen interest as they gathered in the living room of my old home in the Nuseirat Refugee Camp in the Gaza Strip.
Fifty-nine years ago, Bob Dylan recorded “With God on Our Side.” You probably haven’t heard it on the radio for a very long time, if ever, but right now you could listen to it as his most evergreen of topical songs:
I've learned to hate the Russians
All through my whole life
If another war comes
It's them we must fight
To hate them and fear them
To run and to hide
And accept it all bravely
With God on my side
In recent days, media coverage of a possible summit between Joe Biden and Vladimir Putin has taken on almost wistful qualities, as though the horsemen of the apocalypse are already out of the barn.
Fatalism is easy for the laptop warriors and blow-dried studio pundits who keep insisting on the need to get tough with “the Russians,” by which they mean the Russian government. Actual people who suffer and die in war easily become faraway abstractions. “And you never ask questions / When God’s on your side.”
Assassins, with music/lyrics by the legendary Stephen Sondheim, book by John Weidman, based on a concept by Charles Gilbert Jr., is a bold choice for the venerable East West Players to reopen with after having been shuttered due to the you-know-what for almost two years. Staged with a loose revue format, Assassins is about most of the men and women who successfully or unsuccessfully attempted to kill a sitting US president.
The über-assassin highly esteemed by the other trigger-happy members of this (as depicted) kooky club of ludicrous if deadly misfits is the granddaddy of them all, John Wilkes Booth (Trance Thompson), who literally shot Pres. Lincoln in 1865 while he was sitting (in a box seat at Ford’s Theatre watching Our American Cousin). In chronological order when they committed their crimes (although the freewheeling musical isn’t sequential per se), the other title characters are:
I left the Geffen Playhouse feeling exhilarated, not only because I saw my first play in months since the you-know-what returned, but due to the fact that Power of Sail is a very timely one-act play with a stellar cast that dramatizes an urgent issue America is grappling with. The play asks: Does hate speech have the right to free speech? Here’s playwright Paul Grellong’s story in a nutshell (and I warn you, Dear Theatergoer, there may be some plot spoilers in this critique):
WASPy Charles Nichols (Tony and Emmy award winner Bryan Cranston, who scored an Oscar nom for depicting that freedom of speech champion Dalton Trumbo in the 2015 biopic Trumbo) is a fifth generation Harvard student and/or professor, an author of arcane, obscure, unread tomes who teaches history and presents a prestigious symposium there annually. The secret list of invitees Nichols has selected for Fall 2019 has been leaked – and one of Prof. Nichols’ choices has triggered heated protests on campus.
The current split in the African Union (AU) over Israel’s Observer membership status is emblematic of a larger conflict that could potentially split the African continent’s largest political institutions.
Africa is currently facing one of its most crucial decisions regarding Palestine and Israel. The repercussions of this decision could be as significant as the 1975 Resolution 77 (XII) by the Organization of African Unity – the precursor to the African Union – which recognized Zionism, Israel’s founding ideology, as a form of racism. This time around, however, it is Palestine, not Israel, that stands to lose.