Global
At dusk I stood on a residential street with trim lawns and watched planes approach a runaway along the other side of a chain-link fence. Just a few dozen yards away, a JetBlue airliner landed. Then a United plane followed. But the next aircraft looked different. It was a bit smaller and had no markings or taillights. A propeller whirled at the back. And instead of the high-pitched screech of a jet, the sound was more like… a drone.
During the next half-hour I saw three touch-and-go swoops by drones, their wheels scarcely reaching the runaway before climbing back above Syracuse’s commercial airport. Nearby, pilots were at the controls in front of Air Force computers, learning how to operate the MQ-9 Reaper drone that is now a key weapon of U.S. warfare from Afghanistan to the Middle East to Africa.
Since last summer the Defense Department has been using the runway and airspace at the Syracuse Hancock International Airport to train drone operators, who work at the adjoining Air National Guard base. Officials say it’s the first time that the federal government has allowed military drones to utilize a commercial airport. It won’t be the last time.
At the climate rally in Chicago last week, people started drumming in the rain.
Pardon me while I walk uncertain ground here, looking for clues and connections in a smattering of unlikely places. The world is in a fragile, dangerous place. We need to create peace, fairness and sustainability. We need to create a world that doesn’t yet exist, but this is only possible if we look at the world we have with awareness that transcends the limits of our knowing. I don’t know how to do this, but I’m going to try.
And so I listen again to the native drums beating in the rain, in the bitter wind, in the company of several thousand people huddled next to each other in the city’s Federal Plaza, many of them bearing signs that expressed fragments of hope and alarm:
“Defend Our Mother.”
“We are the Earth, rising up to defend herself.”
“Save Our Planet. I don’t want to move!”
“Give kids a future.”
My readers (hiya Ma!) know I’m usually very careful regarding plot spoilers, either completely avoiding or clearly labeling them, so as not to ruin the element of surprise for theatergoers. This is actually the first time I’ve reviewed a play when critics and ticket buyers are not given the program until after the play and reviewers are admonished in a press kit disclaimer printed in boldface to “not give away details of the plot.” So, to paraphrase Teddy Roosevelt, your reviewer will make it a point to “talk softly, but carry a big Bic” in this critique.
BANGKOK, Thailand -- Thailand's authoritarian coup leader Prime
Minister Prayuth Chan-ocha said Tuesday (May 2) he expects to enjoy a
much-needed boost to his military regime thanks to President Donald
Trump's surprise invitation to the White House.
"The U.S. president said that we are their good ally, and he
assured me that although we have been rather distant recently,
Thai-U.S. relations will now be closer than ever," Mr. Prayuth told
reporters on Tuesday (May 2).
While speaking with President Trump, Mr. Prayuth "affirmed that
Thailand stands ready to support and promote bilateral cooperation in
all fields, particularly trade, investment and security," announced
Deputy Government Spokesman Lt. Gen. Werachon Sukondhapatipak.
Mr. Prayuth will "support the constructive role of the United
States in maintaining peace and security in the region," Lt. Gen.
Werachon said.
Mr. Prayuth accepted the White House invitation and asked the U.S.
president to come to Bangkok.
No dates were announced for either visit.
For the last several years, Marvel Comics has been getting things (mostly) right. While DC has been stopping lesbian marriages and wallowing in nostalgia for the days when Batgirl was assaulted and crippled just to make Batman mad, Marvel has been putting out some relatively progressive books. But now, after years of popular additions to their character lineup, they’ve decided it’s time to walk that back. Because, according to Marvel’s Senior Vice President David Gabriel at the recent Marvel Retailer Summit, “What we heard was that people didn’t want any more diversity.”
That’s come as a surprise to anybody who has been watching the internet embrace characters like Kamala Khan, a Muslim girl who took on the mantle of Ms Marvel and whose book is written by an actual Muslim woman, and Miles Morales, a Black Hispanic boy whose run as Spider-Man in the alternate Ultimate universe was so popular he was brought into the mainstream continuity.
A new book about Hillary Clinton’s last campaign for president -- “Shattered,” by journalists Jonathan Allen and Amie Parnes -- has gotten a lot of publicity since it appeared two weeks ago. But major media have ignored a revealing passage near the end of the book.
Soon after Clinton’s defeat, top strategists decided where to place the blame. “Within 24 hours of her concession speech,” the authors report, campaign manager Robby Mook and campaign chair John Podesta “assembled her communications team at the Brooklyn headquarters to engineer the case that the election wasn’t entirely on the up-and-up. For a couple of hours, with Shake Shack containers littering the room, they went over the script they would pitch to the press and the public. Already, Russian hacking was the centerpiece of the argument.”
Six months later, that centerpiece of the argument is rampant -- with claims often lurching from unsubstantiated overreach to outright demagoguery.
The 12th annual South East European Film Festival kicked off with a gala screening at the Writers Guild Theater in Beverly Hills of writer/ director Rajko Grlić’s The Constitution, a stellar must-see movie full of humor and humanity that set the tone for this filmfest. I say that because sometimes cinefiles “suffer” through specialty cinema (especially those bearing English subtitles), but The Constitution reminded me of the joy of discovering those “foreign” films by Luis Bunuel, Francois Truffaut, Ingmar Bergman, Jean-Luc Godard, et al, at an arthouse that transported us beyond Hollywood glitz and glamour to a more “sophisticated” cinematic view of the world beyond our shores.