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John Kiriakou led the CIA operation that arrested, or rather, kidnapped without charge, Abu Zubaydah. Joseph Hickman helped imprison Abu Zubaydah as a guard at Guantanamo and was later the lead researcher for Zubaydah’s habeas defense team.
Here are some highlights of a tale of crackpot criminality recounted by Hickman and Kiriakou in their jointly authored new book, The Convenient Terrorist:
Maher Abu Zubayda and Zain Abidin Mohammed Husain aka Abu Zubaydah are two completely different people. They and many other people use the name Abu Zubayda, with various spellings in English transliterations from Arabic. The Zubaydah family was evicted from a Palestinian village during the Nakba. The CIA, employing more torturers than Arab speakers, confused the two Zubaydahs. When the basic facts that the CIA had about the life of the man it imprisoned and tortured turned out to all be wrong, the CIA paid no attention.
America serves up its news in a caldron from hell, or so it sometimes seems. The fragments are all simmering in the same juice: bombs and drones and travel bans, slashed health care, police shootings, the Confederate flag.
Double, double, toil and trouble . . .
Suddenly I’m thinking about the statues of Confederate generals taken down in New Orleans, the Confederate flag yanked from the state capital in Charleston, S.C. . . . and the secret flag the authorities can’t touch. Ray Tensing was wearing such a flag — a Confederate flag T-shirt — on July 19, 2015, while he was on duty as a University of Cincinnati police officer. That afternoon, he pulled over Samuel DuBose because of a missing front license plate. Less than two minutes into the stop, DuBose — a dad, a musician, an unarmed black man — had been shot and killed.
The idea that the United States has a problem with war propaganda is typically scratched in a bad-apples manner with a story that the U.S. has set up a new propaganda agency, such as the Global Engagement Center, or hired a company, such as the Lincoln Group, to plant articles in foreign media. Or we’ll read a report that former generals are secretly picking up their talking points from the Pentagon and their income from weapons companies while appearing as objective commenters on television. Or occasionally we’ll hear the recognition that some particularly obvious or disproven set of lies (such as those regarding Iraq in 2003) were the result of a well-meaning slip-up.
With Robert Xavier Rodríguez’s Frida Long Beach Opera has presented its second socially conscious, 21st century bio-op premiere of the season, solidifying its stature as a cutting edge operatic force to be reckoned with. LBO’s first biographical opera was composer Philip Glass and librettist Rudolph Wurlitzer’s highly critical look at the beloved Walt Disney (baritone Justin Ryan), The Perfect American - who as the scathing opera showed, with flaws and all, was anything but. While the latter enjoyed its U.S. debut at LBO, Frida had its SoCal premiere courtesy of LBO. Interestingly, both of these real life historical figures - animator and theme park innovator “Uncle Walt” and Mexican painter Frida Kahlo (Puerto Rican mezzo-soprano Laura Virella) - are icons in Southern California.
In keeping with its concern for cinema’s and society’s underdogs, LAFF presented a series of “Diversity Speaks” discussions to “shine the spotlight on underrepresented voices” at the Kirk “I’m Spartacus!” Douglas Theatre in Culver City, June 17-18. According to LAFF program notes, they included:
Filmfest’s often include a stinkeroo, and Opuntia is arguably LAFF 2017’s most-must-miss movie. In his defense, writer/director David Fenster’s 60 minute pseudo-doc does have some interesting things about it. Opuntia (which translates as “prickly pear”) is a movie meditation on 16th century Spanish explorer Álvar Núñez Cabeza de Vaca and his peregrinations across much of what whitey now calls America. So viewers can learn a bit of history and particularly, in keeping with LAFF’s multi-culti leanings, about this European’s early contact with our continent’s indigenous people.
Fenster’s film form is also interesting as he attempts to combine the documentary with the poetic in an effort to create what LAFF’s program guide dubs a “visual essay.” But in doing so, Fenster fails to create either a doc per se (although he does use actuality footage) or a motion picture poem. Many of his interview subjects are inherently incredible airy fairy New Age types - to give you an idea of Fenster’s fringe fixations, he previously helmed cinema about Sasquatch called Bigfoot Museum (methinks the name says it all).
The U.S. Conference of Mayors on Monday unanimously passed three resolutions opposing the military-heavy Trump budget proposal, urging Congress to move funding out of the military and into human and environmental needs rather than the reverse.
The corpses pile up like sandbags along the planet’s geopolitical borders.
“Perhaps his condition deteriorated and the authorities decided it was better to release him in a coma than as a corpse.”
So said an expert on North Korea recently, quoted in the New York Times following the death of 22-year-old Otto Warmbier, six days after he had been released in a comatose state from a North Korean prison. He had been sentenced to 15 years of hard labor a year and a half ago because he had taken a propaganda poster off the wall in his hotel. He had been with a tour group.