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Meryl Streep

British director Stephen Frears’ latest biopic, about wannabe chanteuse Florence Foster Jenkins (the much Oscar-ed and “much-er” Oscar-nommed Meryl Streep), is a winning motion picture on many levels. Florence Foster Jenkins is at all times highly entertaining and occasionally downright hilarious. Based on the real life, eponymous Jenkins, it is a saga about a woman with limited (if any) vocal talent who somehow managed to pursue a career singing classical music. Let’s take a look at some of the dimensions Florence Foster Jenkins explores.

The stylish-looking film shot by London-born director of photography Danny Cohen (who was Academy Award-nominated for 2010’s The King’s Speech) has a “veddy” English sense of class. Florence makes it abundantly clear that Jenkins was a member of the 1% whose wealth enabled her, through a variety of ruses ranging from audience padding to influence peddling - of critics, elite figures in the rarified world of classical music, such as vocal coaches, music hall impresarios and the  renowned conductor Arturo Toscanini (John Kavanagh), etc. - to buy her way onstage.

Black and white dog's face

They called her the luckiest dog in the world, or so read the ad for an adorable puppy who had just been rescued from a kill shelter in Athens County and was now residing at a shelter in Columbus. We visited her on New Year’s Day 2010. My husband knew if he put her in my arms, I’d be hooked, and I was. We took her home and named her Rosie for the Buckeye’s glorious Rose Bowl victory that same day.

Rosie grew into a spotted black and white mutt about the size of a border collie. She was an athletic Frisbee dog: no toss too long, too crooked or too high. Like all dogs, she chased squirrels and barked at mailmen. She ran through the woods scaring up birds and sniffed deeply in the grass for scents only a dog could know. She led the proverbial dog’s life.

I sometimes wonder whether one of the ways in which 'Amercian exceptionalism' manifests is that many US scholars and others are unable to consider the contributions of those who are not from the USA. For example, I routinely read about studies of Martin Luther King Jr. and his associates (such as strategist James Lawson) in relation to nonviolence while the much more insightful and vastly greater contributions of Mohandas Karamchand Gandhi on the same subject are largely ignored by US scholars (although not, for example, by Professor Mary E. King, one of the best in the field).

I have just read another book that falls into this trap: 'This is an Uprising: How Nonviolent Revolt is Shaping the Twenty-first Century' http://www.publicaffairsbooks.com/book/hardcover/this-is-an-uprising/9781568587332

 

Now it is Milwaukee. On Saturday, a car with two African-American men was stopped for “suspicion.” The men fled, the policeman pursued, and the driver, reportedly armed, was shot and killed.

And Milwaukee exploded. Angry crowds confronted police, set fires, threw rocks. At least half-dozen businesses — including a grocery store, a gas station and an auto parts shop — were robbed or destroyed. The Saturday shooting was part of a weekend filled with violence in Milwaukee. Five people were shot and killed overnight Friday.

Milwaukee law mandates an investigation of any police shooting. Immediately, focus goes to the harsh relations between police and the community. But to understand the reaction to the shooting, it is necessary to go much deeper.

Photo of Bonnie Raitt
 

This article first appeared on Reader Supported News

Only so long you can keep this charade
Before they wake up and see they’ve been played
Too many people with their livin’ at stake
Ain’t gonna take it.
The comin’ round is going through
The comin’ round is going through.

t’s not often a single stanza can sum up a whole political system. But those words from Bonnie Raitt ring truer every day as this pathetic “selection” season lurches ever deeper into astounding ugliness.

As evidenced by her new album, Dig in Deep, and her current concert tour, the opposite is true of Ms. Raitt, whose astonishing talent and endless heart just keep growing.

By way of disclosure, I’ve had the privilege of working with Bonnie on nuclear and other issues since 1978.

At the end of July I had the good fortune to see her perform at the Greek Theater in Los Angeles. She is on a long tour now, and if you get the chance to catch one of her shows, don’t pass it up.


 

I realize that, living here in the United States, the nation doing the most in the world to create wars, proliferate nukes, and destroy the habitability of the earth's climate, I really have a duty to pick someone in the United States as the worst individual human being alive.

It’s the smallest thing in the world. Does the tennis ball land inside the line or outside? But somehow, as I watched this 60-second YouTube clip of an Australian tennis match last January, and heard an explosion of joyous approval surge from the crowd, I could feel the planet shift.

Or at least it seemed that way for an instant.

In the clip, a tennis player named Jack Sock tells his opponent, Lleyton Hewitt, whose serve has just been declared out, that he should challenge the call. A little humorous disbelief bounces around the court, but eventually Hewitt says, “Sure, I’ll challenge it.” A judge reviews the tape and declares that the serve was in . . . and the crowd lets loose an enormous cheer.

Black man and white woman sitting on a couch

The Manson tribe was not the only wolfpack of murderous maniacs to inhabit a remote ranch in L.A. County in order to foment a helter-skelter race war in America. Before the U.S.A. entered World War II, Nazi sympathizers endeavored to create a Hitlerian enclave at Murphy Ranch in Rustic Canyon, according to the new drama Blueprint for Paradise. Members of the Silver Shirts - a pro-Nazi organization with militia-like aspects - were suspected of drilling and training at this 50 acre compound near Pacific Palisades. Perhaps even more mindboggling is that in their effort to build this dystopia dedicated to the eugenicist “ideals” of the blonde-haired, blue-eyed Aryan super race, an African American architect was hired to render the eponymous blueprints for the goosesteppers.

In this riveting world premiere written by Laurel Wetzork the

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