18 September 2022

“What’s the point?” Everybody (Nicole Erb) plaintively asks about human existence as she confronts Death (a playful Anne Gee Byrd as a not so Grim Reaper) in Antaeus Theatre Company’s Everybody, a rollicking adaptation of the...

14 September 2022

Before the premiere of Sophocles’ Oedipus, most of the outdoor tables at the Getty Villa’s café were filled, and while dining I spied from afar a longtime friend of mine, fellow reviewer Myron Meisel, tray in hand, looking for a...

08 September 2022

Orwell’s Peerless Proletarian Parable: Socialism with an Animal Face

 

Not even Brecht or Odets could make this one up: Mere days before A Noise Within debuts a theatrical version of George Orwell’s classic satirizing...

03 September 2022

“I feel like I’m in heaven!” gushed a glowing Ava DuVernay. I overheard the director of 2014’s Civil Rights epic Selma at the August 17 press preview of ​the Academy Museum of Motion Pictures’ Regeneration: Black Cinema, 1898–...

25 August 2022

My daughter, Alison, who is 36 years old, flew into town the other day (angel that she is) and I can’t let go of the wonder and miracle of it all . . . being alive.

I had intended to write a column this week about the nature of...

25 July 2022

There are three great acts of naval rebellion in nautical history and the one that’s been the least celebrated in popular culture – until now – is (finally!) the subject of Trouble the Water. Ellen Geer’s stage adaptation of...

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