Indies, Inclusivity, Equality
While addressing the press after winning the Best Supporting Male accolade for The Lighthouse Willem Dafoe epitomized the philosophy of the Film Independent Spirit Awards...
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29 February 2020
What I loved about playwright Willard Manus’ Show Me a Hero is that it introduced me to Greek freedom fighter Alexandros Panagoulis, a significant historical figure I’d never heard of, and brought back to life the...
25 February 2020
Move over Broadway’s recently opened musical adaptation of the 1960s’ wife-swapping movie Bob and Carol and Ted and Alice, which has nothing on LA Opera’s premiere of Gaetano Donizetti’s opera Roberto Devereux about the...
20 February 2020
One of the top ways to celebrate Black History Month - and the movie going experience in general - is to attend the Los Angeles-based 28th Annual Pan African Film & Arts Festival. PAFF focuses on Black-themed films, ranging...
20 February 2020
[NOTE: This review may contain plot spoilers for those unfamiliar with this 2,600 myth.]
LA Opera’s world premiere of composer Matthew Aucoin and librettist Sarah Ruhl’s sublime Eurydice is an optically and aurally...
19 February 2020
The Actors’ Gang’s production of Can’t Pay? Don’t Pay! is a synergy of Hollywood slapstick a la the Three Stooges and American TV show s like I Love Lucy, The Honeymooners and Roseanne...
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