Composer Gaetano Donizetti may have been born in the 18th century and his 1835 opera Lucia di Lammermoor may be based on Sir Walter Scott’s The Bride of Lammermoor, which was published 1819. But the updated version of ...
Advertisement
21 September 2022
This critic usually reviews plays with deep social, psychological and philosophical significance, such as A Noise Within’s Animal Farm, Orwell’s satire about the revolution betrayed in Russia; Deaf West Theatre’s mounting of the...
18 September 2022
“What’s the point?” Everybody (Nicole Erb) plaintively asks about human existence as she confronts Death (a playful Anne Gee Byrd as a not so Grim Reaper) in Antaeus Theatre Company’s Everybody, a rollicking adaptation of the...
14 September 2022
Before the premiere of Sophocles’ Oedipus, most of the outdoor tables at the Getty Villa’s café were filled, and while dining I spied from afar a longtime friend of mine, fellow reviewer Myron Meisel, tray in hand, looking for a...
08 September 2022
Orwell’s Peerless Proletarian Parable: Socialism with an Animal Face
Not even Brecht or Odets could make this one up: Mere days before A Noise Within debuts a theatrical version of George Orwell’s classic satirizing...
03 September 2022
“I feel like I’m in heaven!” gushed a glowing Ava DuVernay. I overheard the director of 2014’s Civil Rights epic Selma at the August 17 press preview of the Academy Museum of Motion Pictures’ Regeneration: Black Cinema, 1898–...
Pages
