Global
It has been satisfying to note the significant response to two recent climate campaigns: the actions, including the recent Global Climate Strike, initiated by school students inspired by Greta Thunberg and the climate actions organized by Extinction Rebellion.
While delighted that these campaigns have finally managed to mobilize significant numbers of people around the existential threat the climate catastrophe poses to life on Earth, I would like to briefly raise some issues for consideration by each of those involved in the climate movement as well as those considering involvement.
I do this because history provides clearcut and compelling lessons on how to make such movements have the impact we need and, so far, the climate movement is not doing several vital things if we are to indeed be successful. And I would like to be successful.
So here are five key issues that I would address as soon as possible.
1. Analyze the climate catastrophe within the context of the ongoing and broader environmental disaster that is currently taking place.
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For Americans, the crux of gun control laws has been how to disarm dangerous individuals without disarming the public at large. Ever-present in this quest is the question of how the perception of danger should impact guaranteed freedoms protected within the Bill of Rights.
During many years of writing about or describing the terrible damage that the “special relationship” with Israel has done to the United States the question occasionally comes up “Given the enormous power of the Zionist lobby, what can we do to bring about change?”
It is a simple question, though one that begs for multiple answers, but it also requires some thinking about how the Establishment, better known as the Deep State, operates in America. The American Deep State, which has as one of its dearest principles eternal nurturing of Israel’s interests, is actually a bundle of individual enterprises that together operate to sustain policies that are mutually beneficial. Its epicenters include financial services and faux news media in New York and the political hub in Washington, but it also is served by Hollywood’s entertainment plus propaganda machine.
January 25, 2001 - Imagine Columbus Alive's surprise last week when Nigel Rosser, a British journalist and reported confidant of the royal family, contacted us to inquire about Prince Andrew's central Ohio connection. Rosser had read two award-winning Alive stories--"The Shapiro Murder File" and "Spook Air"--and wanted to chat about our own Leslie Wexner and his top aide, the mysterious Jeffrey E. Epstein.
Rosser's article, published in the London Evening Standard on January 22, described Prince Andrew's recent behavior as "erratic" and "greatly upset[ing]" the royal family. The Prince has been so busy partying with his new American pals, even his ex-wife Fergie is complaining.
Who's to blame for Andrew's failure to babysit for his daughters Beatrice and Eugenie, according to Rosser's article? None other than Ghislaine Maxwell, who has been spotted in the Prince's company at hotspots-of-the-rich-and-famous around the world. Ghislaine is the daughter of the infamous financier Robert Maxwell, who died after falling overboard from his yacht in 1991.
It’s often said that in comedy, “timing is everything,” and the opening and closing of the Sacred Fools Theater Company’s production of Deadly is perfectly timed. The proverbial curtain lifted at the Broadway Main Stage on Friday the 13th and Deadly will run through Halloween weekend. Of course, it must be noted that while there may be some light moments in this spooky, macabre musical - notably during the droll song “The Southern Way” - Deadly is not a comedy.
In lesser hands, Rogue Machine Theatre’s production of Bekah Brunstetter’s Miss Lilly Gets Boned could have been a conventional crowd pleasing rom com. Instead, this one act play veers wildly off of the tried and true primrose path into uncharted territory which hasn’t been explored much on the boards since Eugene Ionesco’s 1959 Rhinoceros. (Interestingly, Rogue’s Co-Artistic Director, Guillermo Cienfuegos, helmed an unforgettable version of Ionesco’s play in 2017 at Pacific Resident Theatre, which like Rogue’s current venue is in Venice.)
Senator Cory Booker has become a Pro-Nuke Holocaust Denier and must not be president or vice.
As desperate mostly-young millions march worldwide for the survival of our Earth, Booker embraces explosive atomic 500-F climate killing machines that are roasting Her.
As desperate mostly-young millions march worldwide for the survival of our Earth, Booker embraces explosive atomic 500-F climate killing machines that are roasting Her.
Any of our 96 badly run, rarely inspected US nukes could explode into a nuclear holocaust at any time.
In Booker’s New Jersey, three dying public-subsidized nukes spew heat, radiation, and carbon. Their safety is “guaranteed” by Trump’s fake Nuclear Regulatory Commission. They’re dangerously decrepit, but what’s he done to guarantee their safety? (Hint: they can’t get private insurance).
Now he’s Trump-style slandering the global grassroots safe energy movement for demanding nuke accountability.
Nuke reactors spew gargantuan quantities of waste heat and deadly radiation. That includes Carbon 14, a global warming agent.
Many Canadians have been closely following the beginning of the Trump presidency, watching in shock and horror as Trump passes a series of authoritarian executive orders.
One executive order in particular, planned for the near future, is poised to resurrect one of the darkest chapters in recent American history. I’m talking about the potential reopening of CIA “black sites”—secret prisons where detainees were systematically tortured during the War on Terror.
In 2009, President Obama ordered that these black sites be closed, consigning the episode, perhaps prematurely, to history—alongside a long list of past American crimes.
Accompanying it on that list is a similarly chilling episode that played out right here in Montreal, but which has since been largely forgotten.
Nestled cozily at the foot of Mount Royal, in the middle of the McGill University campus, is the Allan Memorial Institute. Sixty years ago, the now-weathered building was an unlikely accomplice to a series of human experiments designed to study methods of drug-induced mind control.
The world premiere of Leda Siskind’s thought provoking, topical The Surveillance Trilogy is so perfectly timed - opening the same week that Edward Snowden’s book Permanent Record has been published and the Trump administration is mired in an alleged whistleblower scandal - that one of three things must have happened:
1) Trilogy’s publicist is a marketing mastermind who contrived for Snowden to reappear on the world stage and for the Inspector General/Director of National Intelligence/Trump whistleblower brouhaha the same week this play opened, as publicity stunts for Trilogy;
OR:
2) The playwright is a theatrical Nostradamus with the gift of prophecy;
OR:
3) The insightful Ms. Siskind has her finger on the pulse of our times.