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The end of winter has brought an dramatic uptick in far right activity in America. 2014 seemed on course to be no different from 2012 or 2013, which saw very little organizing or activity by Klan and neo-Nazi groups. In the past few weeks there has been an armed standoff in Nevada, a racist murder spree in Kansas, a storming of a union hall by Ukrainian fascists in Chicago and massive KKK flyer drops in Ohio and throughout the Midwest.
In each incident, the response by government agencies has been muted and coddling. Mainstream media sources appear unwilling or not competent to conduct basic background research either the players or the action on the field. Frazier Glenn Miller, a long time white supremacist, decided to start Passover with a murder spree on Sunday, April 13 in Kansas City. Meanwhile in Chicago, activists engaged in a teach-in at a United Electrical Workers Union hall were besieged by a mob of nearly 50 Ukrainian fascists.
Earlier this month NPR.com posted an article by University of Richmond Hip Hop Culture educator Erin Nielson which poised the question: Where Did All The Female Rappers Go?
Well, Columbus emcee Dominique LaRue is having her Ohio release party for her album with DC/Indianapolis producer Maja 7th entitled Grand at Double Happiness Friday April 4.
I asked her about the current marginalization of female rappers in Hip Hop.
LaRue listed off a quite a few female lyricists, “We are here. Just getting recognition on a mainstream level has been an issue. But you know, Rhapsody, Boog Brown, there are other women Ra the mc, In Silence, Nikki Linette, Psalm One, Invincible, Miss Corona, Apani, Jean Grae.”
On instagram I often see the phrase, “Be the change you want to see”, and LaRue is working hard to put more women on the map starting with herself.
When I met up with her and her manager Buka, LaRue had just returned from out of town shows. She had a release party for Grand in Indianapolis and also performed at a Women’s History Month Festival in Chicago.
As Cleveland's sadder sister city to the west, Detroit, has been struggling to be reborn so it can rejoin the great American Midwestern civilization. Does one of its newest bands, Dale Earnhardt Jr. Jr., indicate there is vital life and future left in the crater once proudly known as the Motor City?
Cheekily named after America's premier NASCAR champ so it "could musically go anywhere it liked" (according to its founders, Josh Epstein and Daniel Zott, does cut new ground with itsindiesynthpopcrashingpercussion and generally disarmingly happygolucky lyrics and danciness. Read: girls love 'em.
At the A&R March 15 the quartet did what only the British seemed able to do in the 80s, namely take electrostyles and customize them so tastefully that style pretty much became substance, a viable if not pragmatic alternative in the pop universe.