L.A.’S Biggest Film Festival Returns with Films About Occupations, Voting and Protests

At the early voting line in Ohio’s most populous county, civic duty is a public performance.


The AFI Fest returned to Hollywood for live, in-person screenings and events, although there was also a virtual component for watching many of the feature, documentary, short, indie, studio, and foreign productions that Los Angeles’ largest annual film festival is presenting in 2021. Some of the screenings were accompanied by talent who introduced and/or spoke about their films when they were shown at the TCL Chinese Theatres in Hollywood. Here are reviews of some of the films I saw:


According to the AFI’s website: “In partnership with NBC’s Meet the Press, these short documentaries spotlight compelling stories about pressing issues facing our society with conversations moderated by NBC News journalists.” Meet the Press, of course, is the long running TV program where newsmakers are questioned by a moderator and a panel of journalists hold forth on topics of the day. Accordingly, all of the nonfiction films screened at AFI Fest in collaboration with Meet the Press were topical in nature, and this is the fifth year that MTP participated as a media partner of AFI.


TAKEOVER – The Young Lords Presente!

Emma Francis-Snyder’s 38-minute documentary about the seizure of a Bronx hospital by the Young Lords was one of AFI Fest 2021’s very best films and a joy to behold. With a very exciting, brisk storytelling style using archival footage, news clips, original, contemporary interviews, and reenactments (which should have been clearly labeled as such in this otherwise nonfiction work) Takeover powerfully conveys why the Puerto Rican militant organization seized Lincoln Hospital in July, 1970 for failing to provide decent healthcare for the impoverished South Bronx community. The breathtaking act garnered a citywide response, from Mayor John Lindsay’s administration to the NYPD, which turned out in force, allegedly eager to retake the besieged facility and crack some Hispanic skulls.

It all plays out like a thriller, but this was a real life revolutionary direct action by the Latino counterpart to the Black Panther Party. Francis-Snyder interviews surviving members of the heroic Young Lords, who still retain their radical fervor and point out that their socialist group was way ahead of its time, putting the issue of universal healthcare front and center decades ago. One of those former Young Lords who is seen then and now, in contemporary interviews, is journalist and author Juan Gonzalez, although for some strange reason I don’t believe that he’s identified as being one of the co-hosts of Pacifica Radio’s flagship news program, Democracy Now!

Nevertheless, despite a few minor quibbles, Takeover is as thrilling as any of those Liam Neeson Taken movies and strongly reminds audiences of those 12 hours that shook the City. After the screening Meet the Press’ moderator Chuck Todd appeared in person with Emma Francis-Snyder to discuss her great film in a Q&A that followed the screening in the Chinese 4 theatre. Don’t miss it!

For more info see: TAKEOVER | AFI FEST.

PARTY LINE – Democracy INaction

Lydia Cornett’s seven-minute Party Line is about voters lining up to perform their civic duty and make their vote count in the 2020 presidential election at Franklin County, Ohio. If I recall correctly, the long line is to cast one’s ballot for early voting during the pandemic where the voting sites were very limited, thus the long lines and waits. This is an interesting if slight slice of the lengths ordinary Americans had to go through in order to participate in the electoral process in the USA – that is, the Undemocratic States of America.

For more info see: PARTY LINE | AFI FEST

RED TAXI – Call Me a Cab!

In the movie industry cast and crew tend to be very zealous about receiving screen credit, but most of Red Taxi’s talents go uncredited. That’s because this 14-minute documentary was shot underground during the raging protests in Hong Kong against the administration of the city by the People’s Republic of China. The film largely consists of cameras recording taxi drivers from Hong Kong and Mainland China as the cabs wend and weave their way through the skyscrapers, demonstrations and clashes with security forces.

The cabbies, whose identities are concealed, hold forth but unlike most cable TV “news” pundits, they are eyewitnesses to the events unfolding right before their windshields. Some are sympathetic to the protesters, while others support the actions of the Beijing central government in PRC vis-à-vis Hong Kong and its supposedly special post-colonial status. Red Taxi is actually a compelling, you-are-there slice of life and as Chuck Todd said after the screening, hopefully, someday the filmmakers who remained anonymous in order to avoid potential reprisals will be able to receive screen credit for their work. (Charlotte Cook, however, is credited as executive producer.) This is arguably the best production about taxi drivers since Clifford Odets’ classic 1930s play Waiting for Lefty.

For more info see: RED TAXI | AFI FEST.

All in-person screenings and events took place Nov. 10-14 at the TCL Chinese Theatres in Hollywood. For more information see: AFI FEST .


As protests unfold in Hong Kong, RED TAXI shows a city in upheaval through the eyes of those who must traverse the streets day and night to make a living. An exploration of July 14, 1970, when members of the Young Lords Party stormed the Lincoln Hospital in South Bronx, making their cries for decent healthcare heard by the world.