Ah, the children!
They belong to us, sayeth the Department of Defense. At least some of them do.
It’s a little more complicated than it used to be, thanks to one of the changes that occurred back in 1973, a year of startling...
21 September 2022
This critic usually reviews plays with deep social, psychological and philosophical significance, such as A Noise Within’s Animal Farm, Orwell’s satire about the revolution betrayed in Russia; Deaf West Theatre’s mounting of the...
18 September 2022
“What’s the point?” Everybody (Nicole Erb) plaintively asks about human existence as she confronts Death (a playful Anne Gee Byrd as a not so Grim Reaper) in Antaeus Theatre Company’s Everybody, a rollicking adaptation of the...
15 September 2022
There they were again. The dangling irony of memorial Nikes . . .
I was walking home from my neighbor’s house. They’d just had a piano recital and I was still full of music when I saw the pair of tennis shoes flung over the...
14 September 2022
Before the premiere of Sophocles’ Oedipus, most of the outdoor tables at the Getty Villa’s café were filled, and while dining I spied from afar a longtime friend of mine, fellow reviewer Myron Meisel, tray in hand, looking for a...
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