Global

BANGKOK, Thailand -- Tourists, gamblers, traders and residents can now
travel by train between Bangkok and the Thai-Cambodian border for the
first time after tracks were cut 45 years ago, when U.S. and Cambodian
forces began losing their war against Pol Pot who later unleashed
Cambodia's "killing fields" regime.

The new rail link ends one of the last disruptions caused by the
regional U.S.-Vietnam War and tightens the peacetime economies of
former enemies Thailand and Cambodia.

The two countries recently extended an existing Bangkok-Aranyaprathet
railway line which crosses eastern Thailand. They repaired its final
3.5-mile (5.7-kilometer) link between Aranyaprathet and Ban Klong Luk
Border Station on the Thai side of the frontier.

On July 1, the State Railway of Thailand's trains began scheduled
departures from each station twice a day -- two at dawn and two at
lunch time -- for a total of four trips.

Each journey takes about five hours to complete 134 miles (216
kilometers). Tickets cost less than $2.

The latest U.S. House of Representatives version of the National Defense Authorization Act, which is beyond global in scope and not the least bit defensive, offended Donald Trump’s desire for limitless power and spending in dozens of ways detailed by the people he employs to write things longer than tweets — and that was before it was amended. And the amendments are shockingly good.

It’s Karl Marx meets the Marx Brothers in Antaeus Theatre Company’s adaption of Bertolt Brecht’s 1944 play The Caucasian Chalk Circle. Brecht, who wrote The Threepenny Opera and Mother Courage, is best known for his leftwing agitprop. But many forget what Antaeus wisely remembers - while the German playwright may have been a master polemicist and propagandist (often against the master race) Brecht also had a caustic wit which reaches new heights of Marxist mirth in this production at the Kiki & David Gindler Performing Arts Center.

By a vote of 219 to 210, at 2:31 p.m. on Thursday, the U.S. House of Representatives passed an amendment introduced by Congresswoman Ilhan Omar requiring that the U.S. military provide Congress with the cost and the supposed national security benefits of every foreign military base or foreign military operation.

In the year 2000, the CIA gave Iran (slightly and obviously flawed) blueprints for a key component of a nuclear weapon. In 2006 James Risen wrote about this “operation” in his book State of War. In 2015, the United States prosecuted a former CIA agent, Jeffrey Sterling, for supposedly having leaked the story to Risen.

Would the American people re-elect a president caught in the midst of a multi-faceted impeachment inquiry? One never knows.

Or would the American people be more likely to re-elect a president free from any impeachment inquiry?

With no commanding presidential candidate likely to emerge till well after the Iowa caucus on February 3, 2020, the center of Democratic Power is now in the House of Representatives, largely in the hands of Speaker Nancy Pelosi. Pelosi is so determined to give Trump a pass on impeachment that Trump’s lawyers cite her position in their court briefs. That seems like a pretty bad place for a supposed opposition party to find itself.

“They were quiet, and just staring, blankly,” she said. “There were just blank stares and no expressions on their faces.”

Welcome to hell, as presided over by U.S. Customs and Border Protection.

This image bears deep reflection. It doesn’t change. Children are taken from their parents, jammed into cages. They have no lives left.

The speaker is Dr. Sara Goza, new president of the American Academy of Pediatrics, who recently toured some emigrant detention facilities, including CBP’s Central Processing Center in McAllen, Texas. “The first thing that hit me when we walked in the door,” Goza said, according to NBC News, “was the smell. It was the smell of sweat, urine and feces.”

As earthquakes struck SoCal a theatrical aftershock rocked the L.A. stage on July 6 with the West Coast premiere of Scraps. Geraldine Inoa’s brilliant, powerful play is at the cutting edge of the stage and screen cycle of productions reacting to the surge of police and vigilante killings of African Americans and/or the judicial system’s unjust mistreatment of Blacks. And Scraps is among the best of these works protesting racial injustice and inequity perpetrated (and perpetuated) by those perps/twerps - the “men” in blue and in robes (sometimes black, sometimes white).

Inspired by Michael Brown’s murder, Inoa’s Scraps focuses on how these injustices reverberate in the minds and lives of loved ones left behind after these discriminatory slayings occur. This may surprise some because according to racial tropes, African Americans aren’t sophisticated enough to have unconscious minds, but Inoa begs to differ. 

By “the Obama wars” I don’t mean some overgrown infants on television screaming racist insults or pretending that opposing racism requires cheering for Obama.

I mean: the widespread indiscriminate murder of human beings with missiles — many of them from robot airplanes — let loose to threaten any non-white country on earth by Obama and expanded by Trump. I mean the catastrophic destruction of Libya — still continued by Trump. I mean the war on Afghanistan, the vast bulk of which was overseen by Obama, though Bush and Trump have had minor roles. I mean the assault on Yemen, begun by Obama and escalated by Trump. I mean the war on Iraq and Syria escalated first by Obama and then by Trump (following the de-escalation locked in place by Bush though Obama fought it tooth-and-nail).

The true story of British whistleblower Katharine Gun is public. The new movie dramatizing that story, with Keira Knightley in the starring role is called a thriller. And that it is.

How can a known event be made into a suspenseful thriller? In part this is possible because the story is a complex one that few know the details of, and in part because most people don’t know anything about anything. There’s too much information in the world, and most of it is useless or worse. The story of a whistleblower who took great risks to expose the greatest possible crimes by people holding the most power in the world is not the bit of information that has been most repeated over the past 16 years since it happened. In fact, it’s hardly been mentioned at all in corporate media.

I recommend not reading anything about Katharine Gun until after you see Official Secrets. And what I write about the movie here will avoid revealing much at all.  But feel free to go watch the movie first and then come back to this.