Young woman with short dark hair and glasses at a podium with microphones arm wrestling a middle aged man with brown hair and glasses.

The superiority of the male sex was on the line when Bobby Riggs took on Billie Jean King in the 1973 tennis match known as the “Battle of the Sexes.” At least, that’s what organizers of the overblown spectacle claimed, and a sizable portion of the population actually believed it.


I was traveling out West at the time, and I happened to drop by a local restaurant in time to hear some macho types at the next table grouse about Riggs’s ignominious loss. It meant nothing, they insisted, except that the 55-year-old, out-of-shape Riggs was no match for the 29-year-old, top-of-her-game King.


Well, of course it meant nothing. Then again, it meant quite a lot in an age when women athletes—and women in general—were struggling to claim their rightful place in a society that had long been defined by male privilege. What makes the new comedy Battle of the Sexes so enjoyable is that it simultaneously treats the match as a ridiculous publicity stunt and as a historic milestone in the fight for gender equality.
 

White ma with gray hair and glasses smiling holding a huge mug of beer with a woman who is wearing a German-looking corset and frilly top

Your first experience at Columbus’ Oktoberfest is the sensation of being gouged on parking at the fairgrounds. Your irritation will be soothed in the coming minutes by the pleasant surprise of no admission fee, but you don’t know that yet so you say “seriously, ten dollars? What do they have in there, fucking golden pandas?” And your wife asks why they would have pandas at Oktoberfest, and you explain that it is figure of speech, and she gives you one of those looks.


So you walk in, and are greeted by runners staggering through the Oktoberfest Meiler Vier, a four mile run in which 20 percent of participants are wearing lederhosen or other Bavarian alpine gear. If you miss them, don’t worry – you’ll find them later at the biergarten tossing back mugs of Bitburger.  From the looks of it, most of them chugged a couple before the race even started.  

Middle-aged woman with red hair standing at a podium talking and people behind her in audience

Tuesday, Oct 3
3:00-4:20pm - Columbus State Community College Workforce Development building room 407, 315 Cleveland Ave.
Facebook event
a
nd
7pm - Ohio Communities Rising Tour: Merrily Mazza Speaking and “We the People 2.0” film showing, Northwood-High building, room 100, 2231 N. High St.
Councilwoman Mazza will discuss Lafayette, Colorado’s successful and first Climate Bill of Rights and will present the new Community Rights documentary film, “We the People, 2.0.” Sponsored by Columbus Community Bill of Rights and Ohio Community Rights Network. Hosted by Columbus Community Bill of Rights.

 

 

 

For security officers in central Ohio, the struggle for a union contract has been a long one. In April 2013, security officers and janitors held a rally for a living wage and affordable health care outside the Motorists Insurance building in downtown Columbus.

“I’m committed to my job, but it’s hard to get by on low wages with no benefits,” said Thurman Elliot, a full-time security officer employed by Allied Universal. “My wife is sick, and because I don’t have affordable health care through my job, we both have to rely on Medicaid.” 

Decades ago, downtown office buildings employed security workers in-house, with decent pay, benefits, and pensions. But in recent years these jobs have been outsourced to contract companies who have paid security officers only slightly over the state minimum wage, with few or no company benefits.

This co-production launching a collaboration between the Fountain Theatre and Los Angeles City College’s Theatre Academy tells the story of real life dancer Freddy Herko (Marty Dew) largely through choreography (by Cate Caplin) and a recorded soundtrack of music ranging from Vivaldi and Mozart to sixties music by Blind Faith and Donovan plus other rock/pop musicians. Various stage effects are used, too, including a sort of mist that this hour-ish-long one acter opens with, perhaps symbolizing the mists of memory.

 

To be sure, in addition to this impressionistic collage, there is a storyline that threads this needle, as the older Shelley (professional actress Susan Wilder) goes back in time to relate her experiences with Freddy, when she was young and foolish. Devoted to dance, younger Shelley (professional actress Katie McConaughy) leaves her husband Pete (LACC sixth semester actor Lamont Oakley) to pursue the mercurial Freddy.

 

BANGKOK, Thailand -- A Supreme Court sentenced fugitive former Prime
Minister Yingluck Shinawatra to five years in prison on September 27
after ruling in absentia she was guilty of negligence for not stopping
alleged corruption costing billions of dollars during her failed rice
crop subsidies.
   The military junta, which ousted Ms. Yingluck in a bloodless 2014
coup, is now using "spies" to track her after she missed a court
ruling on August 25 and reportedly smuggled herself out of Thailand
with the help of police, decoy cars and a black surgical face mask.
   Ms. Yingluck, 50, has not been seen in public since.
   "She has not yet applied for political asylum and I don't know
whether she will be able to get it," coup-installed Prime Minister
Prayuth Chan-ocha told reporters on September 26 amid speculation that
Ms. Yingluck was trying for asylum in England.
   "I know [her whereabouts]...I have spies," said Mr. Prayuth who led
the 2014 coup when he was army chief.
   Before disappearing, she insisted on her innocence and portrayed

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