People under outdoor booth tents looking at records

Monday, May 30, 12-5pm
Lost Weekend Records, 2960 N High St.
Dealer's it is free to set up but please call the store 614-268-8423 to reserve a spot as space is limited.
You do not have to bring records to swap you can just bring cash and buy records.

Let me now also extend my deep and heartfelt gratitude to each and every one of the distinguished heads of state who made this journey here today. You greatly honor us with your presence, and I send the warmest regards from my country to yours. I know that our time together will bring many blessings to both your people and mine.

Top Russian officials are concerned that a bill passed by the US Congress will do more than increase sanctions on North Korea. Moscow claims H.R. 1644 violates its sovereignty and constitutes an “act of war.”

This week, the Chair of an exciting UN initiative formally named the “United Nations Conference to Negotiate a Legally Binding Instrument to Prohibit Nuclear Weapons, Leading Towards their Total Elimination” released a

Peter Brook directed the 1960s stage and screen versions of Peter Weiss’ Marat/Sade, which is arguably the 20th century’s best post-Brecht political play. Marat/Sade left an indelible impression on me - I can still remember some of the drama’s searing dialogue and its depiction of French Revolutionary Jean-Paul Marat as the totally devoted “friend of the people” remains very moving. Around the same time I saw Marat/ Sade I also viewed and was greatly influenced by Spanish surrealist director Luis Bunuel’s Belle de Jour, written by his frequent collaborator Jean-Claude Carrière. (The fact that this recipient of 2014’s Lifetime Achievement Academy Award does not receive a blurb in Battlefield’s program is a woefully grievous omission.)

 

When the U.S. public was told that Spain had blown up the Maine, or Vietnam had returned fire, or Iraq had stockpiled weapons, or Libya was planning a massacre, the claims were straightforward and disprovable. Before people began referring to the Gulf of Tonkin incident, somebody had to lie that it had happened, and there had to be an understanding of what had supposedly happened. No investigation into whether anything had happened could have taken as its starting point the certainty that a Vietnamese attack or attacks had happened. And no investigation into whether a Vietnamese attack had happened could have focused its efforts on unrelated matters, such as whether anyone in Vietnam had ever done business with any relatives or colleagues of Robert McNamara.

A suicide bomber inflicts hell at a concert hall in Manchester, England that’s full of children, as though that was the point — to murder children.

The horror of war . . . well, terrorism . . . doesn’t get any worse.

And the media, as they focus on the spectacle of what happened, as they cover the particulars of the tragedy — the suspect’s name and ethnicity and apparent grievances, the anguish of the survivors, the names and ages of the victims — quietly tear the incident loose from most of its complexity and most of its context.

Yes, this was an act of terror. That piece of the puzzle is, of course, under intense scrutiny. The killer, Salman Abedi, age 22, was born in England to parents of Libyan descent and had recently traveled to Libya (where his parents now live) and Syria, where he may have been “radicalized.” He likely didn’t act alone.

Art of women's heads with pink ribbons over their eyes that say Melanincholia Festival

Friday, May 26-28
Milo-Grogan, 862 E. Second
Melanincholy is an arts and music festival that celebrates and supports artists of color. It is free, all ages, and open to the public.
To keep our festival as accessible as possible, we do not charge entry fees. We ask that you help support is if you can; all money raised goes directly to paying our artists.
https://www.gofundme.com/melanincholy-festival
Friday:
✨ Film Day ✨
Come for short films created by PoC filmmakers [films tba] followed by/interspersed with live music:
5:30PM - Short Film Showcase
6:00PM - Featured Poet: Hanif Abdurraqib

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