If someone skated during the past 27 years, Donnie Humes probably skated with and/or caught them pulling a trick that made their week.

Mr. Humes has been putting out at skateboard zine Smelly Curb since 1987.

Smelly Curb and Old Skool Skateboards are putting on a Halloween Curb Contest on October 26th at the Westerville Skatepark. Issue 44 of Smelly Curb is also on the way.

Humes laughed when I inquired about the content of Smelly Curb Issue one, replying. “The First Issue was really corny. Think about you being awkward and 17, thinking you know everything.”

We were standing on a hill above the Dodge Skate Park bowl on the West side of Columbus, that is part of Dodge Recreation Center. This is the skateboard wing of the Dodge Park Rec Center which Humes helped open and run from 1990-1995.

During these formative years of Columbus skateboarding, Humes and his buddies were pulling grinds on curbs around town on their way to punk shows at Staches.

Unless you’ve been living under a rock for the last two months, you know that English heavy metal band Spinal Tap is coming to Ledo’s Tavern on Halloween night (Friday, Oct. 31st). Having been a huge Tap fan since their psychedelic period in the late 1960’s, I was absolutely thrilled to sit down with singer David St. Hubbins and lead guitarist Nigel Tufnel to discuss the upcoming show.

 

FREE PRESS: So to begin with, Spinal Tap hasn’t toured in at least a decade. Why did you choose to kick this tour off in Columbus?

ST. HUBBINS: Well, we used to have a tendency to confuse Columbus with Cleveland and Springfield, which saddened our Columbus fans tremendously.

TUFNEL: We felt we had a karmic debt, so to speak.

ST. HUBBINS: Exactly. So to square things with the universe, we decided to start the tour in Cleveland.

FP: How did you settle on Ledo’s Tavern as a venue?

ST. HUBBINS: Well, there is a great deal of mystical symbolism in the letter L

TUFNEL: And they had the best insurance.

After 19 years of working for the Columbus Crew, the three construction workers who represented the Major League Soccer franchise’s logo were laid off Oct 8.

Anthony Precourt, the Columbus Crew SC Chairman and Investor-Operator, unveiled a new, construction-worker free logo at the #NEWCREW revealing party at the Lifestyle Community Pavilion.

Austin Jones, one of the 1,500 soccer fans who attended the rebranding event, said the makeover was overdue. “I think the new logo’s pretty cool. I like how they incorporated everything over the last (19) years,” Jones said. “I liked the old logo with the shield but I thought it needed some updating. I like the new one better.”

Jones is not alone. USA-Today writer Nick Schwartz said the Crew’s updated look “is now the best in the MLS.”

The current look corrects some of the rather egregious omissions from the previous logo.

Not only is my middle name Donovan, I'm a huge Donovan fan. And while I often refer to my Irish-Slovenian hot headed jugulars for those many times when I get p.o.'ed, truth is there is a folk side to me. Not everything's gotta be “Street Fightin' Man” for me, though it took me decades to stop passing over soul ballads when I played my favorite R'n'B dance records.

In reality, as much as I loved Donovan I never spent much time listening to whole Donovan albums. There was one called something about, I don't know, “Farting In the Wind,” or some such overly sensitivity to some mythical Anglo-Irish Western wind. Whatever. The material was sorta substandard. I mean, thanks to Mickie Most, legendary '60s British record producer, it is mostly Donovan's Most-produced hits that slayed me like a dragon: “Mellow Yellow,” “Wear Your Love Like Heaven,” “Eptistle To Dippy,” “There Is A Mountain,” “Jennifer Juniper,” “Lalena,” “Atlantis,” “To Susan On the West Coast Waiting,” “Barabajagal” and one of the heaviest songs ever made, “Hurdy Gurdy Man.”

Barcelona in German Village is one of the best restaurants in Columbus when it comes to ambiance- whether indoors with its palatial colors and draperies or outdoors amidst nature’s beautiful flowers and pond on the patio; I resonate. The team there has even suggested we collaborate on a vegan cooking class in the future; sounds like a plan. This year I celebrated my birthday by dining amidst this delicious Spanish fusion experience; it began with a tasty mushroom gift from the Chef, fresh baked bread and oil/w stewed tomatoes, followed by the Ensalda de Espinacas starter (subbed almonds for cheese), the vegan Paella de Verduras (with caramelized Brussels sprouts, piquillo peppers, roasted tomatoes, mushrooms, onions, peas, sofrito and calasparra rice, and finished with a complimentary, refreshing pomegranate sorbet.

 

Did you know “The Last of the Red Hot Mamas” was Jewish?

Sophie Tucker (1887-1966) was regarded as a pioneer among female entertainers, performing material that was risqué for her time. Yet she was the product of a particularly strict Jewish upbringing. “She grew up in an Orthodox family,” said Emily Schuss, director of the Columbus Jewish Film Festival. “But obviously she then kind of went off that path a little bit to become an entertainer.”

Tucker’s life and career are celebrated in The Outrageous Sophie Tucker, a documentary featured in the 10th of the series’ less-serious offerings, Schuss said, but certainly not the only one.

For example, there’s It Happened in St. Tropez, which Schuss described as a “really light French comedy.” These and other films should appeal to viewers of all backgrounds, she said. “The films are really diverse this year,” Schuss said. “You know, a lot of people think, ‘Oh, they’re just going to show a bunch of Holocaust movies,’ but we really don’t.”

Celia C. Peters is an avant-garde director and award-winning screenwriter creating compelling stories of authentically diverse characters. Peters is a member of New York Women in Film and Television and the Writers Guild of America. She was awarded a 2012 residency at Hawthornden International Retreat for Writers in Midlothian, Scotland. Her psychologically inspired, character-driven screenwriting has been both prize-winning [Godspeed, 2011 African American Women in Cinema Film Festival; Roxë15, 2004 SFBFF] and recognized in competition.

Her filmmaker credits include the experimental performance piece, “Poem in Motion (2011),” the short documentary “Rethinking Beauty (2011),” and “Editing Uptown (2010),” a featurette on the nationally distributed DVD of the indie film, “Uptown.” In 2007, Peters produced a half-hour segment, “The State of Hip-Hop” for WHUT/PBS and her short film “Breakthrough (2006),” was broadcast nationally on BET’s The Best Shorts series.

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