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An asian boy reading GRAPHiC N0VEL in a Barnes & Noble bookstore in West Hartford, Connecticut

Part One

It should surprise no one that in 21st  century United States, young children’s learning to read is a landmine within academic capitalism where sales profits trump diverse children’s basic learning and equitable, humane bases for their futures. Unknowledgeable governors and politicians weigh in, confusing the public and offending teachers. Recent articles and essays in national and local media overflow with this, as the References show.

Today, with more force than usual across states and cities, the episodic “reading wars” erupt with passion and ignorance, and large financial stakes. At their oversimplified base, the “reading wars” pit one of a number of different forms of “phonics” against various forms of “phonetics.”

It is rarely noted that the issues are at least two hundred years, not two decades old, and that they have to do with much more than different ways of teaching children to read—and less often mentioned, write, spell, and do arithmetic.

Park

With a handgun strapped to his belt, the owner of what was once a Far West Side farm points a chubby finger to a nearby retention pond in a small and mostly forgotten City of Columbus park. “There was once an old stone church there. Presbyterian,” says the mustached man from under his ball cap. 

The church was demolished for the pond when a large apartment complex went up next door in 2001. The City turned the church’s former property into Clover Park, and near the pond’s banks is a cemetery where some of the dead perished in the Civil War fighting for the Union. They had to be Presbyterian.

“At least the City kept the bodies,” says “Brett” who wished to remain anonymous. His property, with a 100-year-old farmhouse and barn intact, is close to Clover Park.

Details about event

Wednesday, July 12, 2023, 7:00 – 8:00 PM
Hear from several active Move to Amend Ohio leaders.  Ask questions. Get pumped to Take Action.

What is State Issue 1?  Why would make it harder to challenge corporate rule?  What you can do to Take Action to help others to Vote NO on August 8 (early registration begins July 11). 

More information and registration here

Band playing on stage

I entered Souls of Mischief’s 30th Anniversary of “93 Til Infinity” tour Saturday night at the A + R Bar. I took the 1 from On Tap at Bethel Center into the A+R Bar’s Downtown walking vicinity.

While pregaming off Bethel Road, I recommended Billy Woods’ new album while at the On Tap bar which was added into a friend’s phone upon recommendation. I said, “Billy Woods is Def Jux meets Earl Sweatshirt.”

After On tap, I ate Fresco Taco Bell off Kenny Rd. A food eater turns veggie items vegan at Taco Bell with their Fresco button. Fresco replaces many non-vegan ingredients with tomatoes.

I bumped Alchemist ft. Earl Sweatshirt, and Billy Woods with my Beats while looking at our city from a bus. Alchemist’s “RIP Tracy” song ain’t on the Billy Woods album. You can bump various songs from a cellphone.

At the door, I set my Futura lanyard, Beats, Iphone, and wallet in a tray. I didn’t have anything which set the alarm off.

The room was filled with people who like rap songs.

Joe Motil and young woman

When Andy Ginther’s office was asked by WSYX TV on July 3 to respond to the deplorable conditions of the new Greyhound bus terminal on North Wilson Road, his office stated, “Greyhound is private property and that issues should be brought to the Greyhound company.”

That statement couldn’t be further from the truth. Officials of Ginther’s Development Department signed off on a Zoning Clearance and allowed this facility to open and operate without plumbing, one trash receptacle, improper maneuverability for buses, no lockers for passengers’ baggage, vending machines and no on-site security.  

Homeless family

Amazon Prime Day is Tuesday, July 11th (TODAY!) & Wednesday, July 12th. Why not use this opportunity to help homeless and marginally housed men, women and children we serve?


That splendid arcadian Shakespearean reliquary, Will Geer’s Theatricum Botanicum, is
presenting four of the Bard’s dramas – Parts 1, 2 and 3 of Henry VI plus Richard III –
compressed, compiled and edited into a single two-act play, Queen Margaret’s Version of
Shakespeare’s War of the Roses, directed by Ellen Geer. A Shakespearean scholar and
playwright, Ms. Geer also stitched together this quartet of history plays by the “Prince of
Poets” for WGTB, which the Shakespeare Birthplace Trust awarded a commemorative
plaque with wood from Shakespeare’s Stratford-upon-Avon Garden in 2014.
Ms. Geer, who is also WGTB’s Producing Artistic Director, has given the Richard III
and the Henry VI works a decidedly feminist twist, as the tale is told from the women’s
point of view, just as composer André Previn and playwright Tom Stoppard respun
Homer’s Odyssey, by retelling that epic from the point of view of Ulysses’ wife, the
titular Penelope (see: https://hollywoodprogressive.com/music/evening-with-renee-

In March, the South Africa Communist Party (SACP) denounced what it described as the ‘imperialist bias' of the International Criminal Court (ICC).

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