At the heart of Pulitzer Prize-nominated and Obie Award-winning playwright Nikkole Salter’s Lines in the Dust is the issue of a quality education for Blacks – just as it was during much of the Civil Rights movement, which was partly inspired by the struggle to desegregate America’s separate and unequal schools, from the Supreme Court’s 1954 Brown v. Board of Education ruling to Medgar Evers’ applying to go to the University of Mississippi to the Little Rock Nine to Gov. George Wallace blocking the schoolhouse door at the University of Alabama, etc. In fact, the title of Salter’s play is derived from Wallace’s 1963 inaugural speech at Montgomery where the pugnacious racist declared: “I draw the line in the dust… Segregation today… Segregation tomorrow… Segregation forever.”

Young child on floor with head in knees and stats on homeless youth

When Channel 6 news recently called John Coneglio, president of the Columbus Education Association (CEA), he knew exactly how they were going to frame their story on the Columbus City School’s levy, or Issue 11. They asked Coneglio how to explain the Ohio Education Association’s annual grade given to Columbus City Schools. They gave the district a ‘2,’ which means the district is not up to state standards.

“Find me a failing district with rich people living in it,” Coneglio told the Channel 6 reporter, owned of course by Sinclair Broadcast Group, which everyone knows is anti-union, especially unionized teachers. “If I go to Dublin, Olentangy, or Bexley, are any of these school districts failing? Why not? This is what I asked Channel 6.”

He turned the table on Sinclair Broadcasting, which comes from a position that public school teachers aren’t worth their salary, benefits, and summer break.

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Something’s Wrong

After school let out that day, Jean, Annie, and I walked home together. During the day, I kept my ears open in the lunchroom and bathroom, but I didn’t hear nothing about Smooth’s death, so I was hoping that one of them had, especially Jean our social butterfly. Annie had and started talking about it before I could figure out a way to get the ball rolling.

“Did you hear about Smooth? They found his body in the alleyway behind IGA a couple days ago.” Annie said.

“No, I ain’t heard nothing, who told you about it?’ I asked. 

“No one in particular, I heard it in the lunchroom, you know how people talk.” 

“Yeah, I know, but do they know what they’re talking about?” Jean cracked. 

“Well, they said he was shot three times in the chest, and his body was laying there for two days before it was found.”

“Three shots! It wasn’t that many!” Jean slipped up. Big mouth!

“What Jean, what did you hear?” Annie stopped walking and asked her excitedly. 

“Not much, they was talking about it in the lunch line. Didn’t hear it all, said it was more than one shot, that’s all.” 

Logo

Somethings Wrong

After school let out that day, Jean, Annie, and I walked home together. During the day, I kept my ears open in the lunchroom and bathroom, but I didn’t hear nothing about Smooth’s death, so I was hoping that one of them had, especially Jean our social butterfly. Annie had and started talking about it before I could figure out a way to get the ball rolling.

“Did you hear about Smooth? They found his body in the alleyway behind IGA a couple days ago.” Annie said.

“No, I ain’t heard nothing, who told you about it?’ I asked.

“No one in particular, I heard it in the lunchroom, you know how people talk.”

“Yeah, I know, but do they know what they’re talking about?” Jean cracked.

“Well, they said he was shot three times in the chest, and his body was laying there for two days before it was found.”

“Three shots! It wasn’t that many!” Jean slipped up. Big mouth!

“What Jean, what did you hear?” Annie stopped walking and asked her excitedly.

“Not much, they was talking about it in the lunch line. Didn’t hear it all, said it was more than one shot, that’s all.”

People posing with anti-war T-shirts

Monday, November 6 through Sunday, December 17, 2023, 8:00 AM
World Beyond War's online courses are self-paced, using videos and texts and graphics, available on your schedule, 24-7, and discussion forums in which you can use videos and texts and graphics to discuss and gain feedback, as well as to submit optional assignments for feedback. There are also a few optional zoom calls. Those are the only parts of the course that are scheduled. Everything else is simply available on your schedule. 

Course fee: $100 (Pay less if you have to, more if you can.) There will be a limit of 150 tickets sold for this course.  Everyone registered for the course will receive a PDF of David Swanson's book The Monroe Doctrine at 200 and What to Replace it With, which will provide additional reading to those who want to go beyond the written, video, and graphic materials provided in the course.  

People posing with anti-war T-shirts

Monday, November 6 through Sunday, December 17, 2023, 8:00 AM
World Beyond War's online courses are self-paced, using videos and texts and graphics, available on your schedule, 24-7, and discussion forums in which you can use videos and texts and graphics to discuss and gain feedback, as well as to submit optional assignments for feedback. There are also a few optional zoom calls. Those are the only parts of the course that are scheduled. Everything else is simply available on your schedule. 

Course fee: $100 (Pay less if you have to, more if you can.) There will be a limit of 150 tickets sold for this course.  Everyone registered for the course will receive a PDF of David Swanson's book The Monroe Doctrine at 200 and What to Replace it With, which will provide additional reading to those who want to go beyond the written, video, and graphic materials provided in the course.  

Stylistically, Finnish writer/director Aki Kaurismäki’s Fallen Leaves is set in the same social milieu as Italian Neo-Realist films, the working class. But while its proletarian protagonists are similar in class to, say, Vittorio De Sica’s 1948 drama Bicycle Thieves, Fallen Leaves is a romantic comedy. Blue collar boy meets girl on the wrong side of the tracks in Helsinki. Ansa (Alma Pöysti) and the hard drinking Holappa (Jussi Vatanen) are lonely thirty-somethings, searching for love and intimacy in this movie full of dry wit that’s likely to cause viewers to smile often, and perhaps laugh out loud a few times. 

Young white woman smiling

The Free Press is honoring Alicia Jean (AJ) Vanderelli with our Activist Artist Award at a ceremony Thursday, November 9. AJ is the owner and manager of the Vanderelli Room, an art gallery that has served as a showplace and safe space for activist artists – and it is the location of the Free Press Awards dinner.

AJ was born in Los Angeles, California and was raised in Panama City, Florida. After graduating high school in 1993, she left the small beach community in search of one that provided both the comforts of a small town with the diversity of a city. In 2003, she settled in Columbus Ohio. She earned a Bachelors of Fine Arts with a concentration in oil painting in 2008 from the Columbus College of Art and Design, graduating Magna Cum Laude.

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