Kendrick Lamar’s Schottenstein Center show’s futuristic art-film introduction led into a Stevie Wonder warmness which explored the Diaspora of entertainment, human experience and culture during Kendrick’s complete captivating performance.
A series of dancers entered a catwalk which in flesh form and mimed Lamar’s Big Steppers album namesake.
After the first of a series of large square objects accompanied this waltz, next unveiled the Compton performers’ entrance of rapping from a piano the song “United in Grief” from Kendrick’s newest album which explores the layers of traumas our society inflicts on itself.
Whether it’s racism or basic human mistakes…
Kendrick performed “N95,” “Element,” then “Worldwide Stepper’s.”
I was impressed with the Terry Gilliam-meets-Dave Hammons opulence.
The second I had fallen into field trip to museum zone… Kendrick returned us to the Compton beaches by nailing “Backseat Freestyle” in which the stacked Schott erupted with glee after being seduced with the cerebral build-up.
“Backseat Freestyle” extols Hip Hop celebration of sexual prowess.