On June 12, 2020, Matt Taibbi published a rather confrontational article entitled “The American Press is Destroying Itself.” In it, he laments that “the American left has lost its mind. It’s become a cowardly mob of upper-class social media addicts, Twitter Robespierres, who move from discipline to discipline torching reputations and jobs with breathtaking casualness.” Taibbi cites a litany of recent “newsroom revolts,” which signal, in his mind, an editorial crisis of political correctness, where journalists have been beaten into submission by the new leftist brigade of groupthink.

 

To be sure, Taibbi’s concerns are not entirely misplaced. Anyone who’s spent a day on Twitter knows it poses a uniquely high reputational cost for publishing anything even mildly controversial. But Taibbi talks in existential terms. He presents a grand narrative in which the left is cannibalizing itself, supplanting “traditional liberal beliefs about tolerance” and “free inquiry” with “shaming, threats, and intimidation” of those who deviate from the accepted view.

 

Three young people wearing black face masks

Franklin County’s health department made national news in May after apologizing for issuing mask-wearing guidelines widely denounced as racist. The story was carried in newspapers from the Washington Post to the Seattle Times, in the national magazine The Week and by CNN.

A place the story didn’t make big news, though, was Franklin County itself. Neither the county’s daily newspaper, the Columbus Dispatch, nor the city’s television stations covered it. WOSU Radio carried a small story, for whatever tiny percentage of the county’s residents follow that.

The guidelines stemmed from the April 3 announcement by the Centers for Disease Control and Prevention (CDC) encouraging the public to wear masks to contain the spread of COVID-19. Some racial minorities voiced concerns they could be profiled by wearing masks. Their anxiety presented the health department with an opportunity to educate central Ohioans to shun racist attitudes.

The department instead told racial minorities they were the ones needing to change, advising them:

The new film, The Vow From Hiroshima, tells the story of Setsuko Thurlow who was a school girl in Hiroshima when the United States dropped the first nuclear bomb. She was pulled out of a building in which 27 of her classmates burned to death. She witnessed the gruesome injuries and agonizing suffering and indecent mass burial of many loved ones, acquaintances, and strangers.

Setsuko was from a well-off family and says she had to work at overcoming her prejudices against the poor, yet she overcame an amazing number of things. Her school was a Christian school, and she credits as influence on her life the advice of a teacher to engage in activism as the way to be Christian. That a predominantly Christian nation had just destroyed her predominantly non-Christian city didn’t matter. That Westerners had done it didn’t matter either. She fell in love with a Canadian man who lived and worked in Japan.

Faces of black young people

How do protesters move from our downtown streets to force real change in Columbus police?

It is a daunting challenge when you consider over the previous decades all the promises Columbus police, the Mayor(s) and City Council members have made to end police brutality.

Promises they never or couldn’t keep – since 2013 Columbus police have killed 40 people, 27 of whom were black, but only one case of police misconduct over the previous 20 years (within the now-disbanded VICE unit) has resulted in any indictments. 

Mayor Ginther, Chief Quinlan and his commanding officers have chosen to sit down three times over the previous weeks with one protest group in particular. But we refuse to name this group because there questions as to who they exactly are.

Details about event

Saturday, July 11, 9am
Ohio Statehouse
Mi gente, don’t forget to save the date:
Defund I.C.E! No more separation, free our kids, unite families!

Window washer outside a window

In a recent “Dilbert” cartoon, the hapless title employee talks about his hope of hooking up with a woman he’d met through virtual contract negotiations—even though, as it turns out, he’s seen only the part of her face that wasn’t hidden by a mask, a shower cap and an eye patch.

For those who lack a regular partner, a pandemic-induced quarantine is hardly the ideal environment for romance. And yet, people can’t turn off their libido simply because it’s not convenient. Recently, the New York City health department acknowledged this fact by releasing guidelines for how to deal with intimacy while minimizing the risk of contracting COVID-19.

One suggestion it missed: Have a romantic encounter while separated by a thick window several stories above the street. That’s the situation described in Squeegee, an 11-minute film written and directed by Morgan Krantz.

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