BANGKOK, Thailand -- More than 5,000 U.S. troops begin training
Thailand's military on February 22, coinciding with demands for the
army's chief to resign and alleged financial corruption within the
military be investigated after an army officer massacred 29 people in
a shopping mall.

Dramatically weeping during a televised news conference, Army Chief
Gen. Apirat Kongsompong said on February 11, "Don't blame the army"
for Sgt. Jakrapanth Tomma's 17-hour rampage in Korat, a northeast city
also known as Nakorn Ratchasima.

"Blame me, General Apirat."

Sgt. Jakrapanth's bloody spree ended on February 9 when security
forces shot him dead in the mall after he killed 29 people.

"Throughout the whole incident, there were only criticisms of the
army. I want you to know that the army is a national security
organization, a sacred organization," Gen. Apirat said.

Gen. Apirat's use of the Thai word "saksit," which means "sacred,"
angered critics.

"He used the Thai word 'saksit', the supernatural powers that demand

 

 

The Actors’ Gang’s production of Can’t Pay? Don’t Pay! is a synergy of Hollywood slapstick a la the Three Stooges and American TV show s like I Love Lucy, The Honeymooners and Roseanne crossed by and infused with the anarchist and socialist politics of Mikhail Bakunin, Pierre-Joseph Proudhon and Karl Marx. This merry madcap Marxist mash-up puts the “commie” into sitcom. To paraphrase the Stooges’ Curley: “Moe! Larry! Che!”

 

[NOTE: For those unfamiliar with Frida Kahlo’s life, this review may contain plot spoilers.]

 

If Howard Zinn penned “People’s Histories” and Oliver Stone filmed “Untold Histories,” Latinx playwright Odalys Nanin’s modus operandi is to write (or rewrite?) allegedly biographical plays about famous women revealing their same sex affairs. I previously saw Nanin’s stage exposes purporting that Greta Garbo and Marilyn Monroe indulged in Sappho hanky-panky. Some may regard this as a breakthrough, disclosing the hitherto concealed, unvarnished lesbian truth. Some may react with puritanical disbelief and outrage that their beloved sex goddess has been thusly tarred and defamed. Still others could respond with a collective yawn, musing “that’s so 20th century” and “so what? Who Cares?” Take your pick.

 

More than ever, Bernie Sanders is public enemy number one for power elites that thrive on economic injustice. The Bernie 2020 campaign is a direct threat to the undemocratic leverage that extremely wealthy individuals and huge corporations constantly exert on the political process. No wonder we’re now seeing so much anti-Bernie rage from leading corporate Democrats -- eagerly amplified by corporate media.

In American politics, hell hath no fury like corporate power scorned.

State of the city sign in front of West High School

Columbus has been truly a “Tale of Two Cities” to emphasize the true meaning of this year’s State of the City Address. While Columbus has been touted in success stories and innovations, there is still that one-third of the community that feels like they are shut out of the entire loop. Columbus Mayor Andrew J. Ginther’s State of the City Address was no different, as two protesters made their voices loud and clear early on in the speech.

The theme of Ginther’s Address, held at historic Columbus West High School in Westgate, was centered about equity. Ginther addressed the auditorium at the beginning of the evening by saying, “Tonight, I share to you my ‘Equity Agenda,’ an agenda that calls out racism and discrimination where it exists, and my plans to address it as your Mayor.”

Ginther said, “Equity is the cornerstone of my administration, tonight, I will lay out what we will be doing this year, and over the next four years, to continue to grow this city and also to assure that we stop racism and discrimination, wherever we see it.” 

Rogue Machine’s West Coast premiere of award winning British playwright Mike Bartlett’s Earthquakes in London is, according to Rogue’s artistic director and the drama’s co-director John Perrin Flynn, “quite simply, the best play I have read about global warming.” This three hour-ish, UK-set tour-de-force takes a deep dive into the pressing subject of climate - as well as family - crisis. It is an epic play that goes back and forth in time and is mainly for more daring theatergoers and environmentalists who take their drama and politics seriously.

 

With the caveat that said ticket buyers have slept well the night before and hence can be very alert and pay close attention to the complex characters and storylines that shift on theatrical tectonic plates. For example, the pivotal role of the climate scientist father, Robert, is played by Paul Stanko as a young man and then in his maturity by Ron Bottitta. Robert is being wooed by energy companies, so we see him

before and after - but this might confuse some viewers.

 

Civil LibertiesEnvironmentImmoralityNonviolent ActivismNorth America

Indigenous people in Canada are giving the world a demonstration of the power of nonviolent action. The justness of their cause — defending the land from those who would destroy it for short term profit and the elimination of a habitable climate on earth — combined with their courage and the absence on their part of cruelty or hatred, has the potential to create a much larger movement, which is of course the key to success.

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