Blurry photo of a white bald policeman in a white shirt and holding a rifle pushing a black man with long braids

Hoof Hearted Brewery and Kitchen, 850 N 4th St. 7pm
****We'll meet outside of Hoof Hearted because it's near our desired location.****

We've all seen the video posted Fri, 6/8. The "dancin" pig known as "ohnoitsdapopo" punched a black man in the head, completely unprovoked, then put him on the ground and maced him for no reason. His mother got video of the whole thing on camera.

Let's talk about this "dancin cop," named AJ. This racist is a piece of work. He's been hailed for his community policing, for "motivational speaking," even being invited to Harvard, and for liking to get aggressive and punch suspects (according to an old Dispatch article). He has a history of violence on the job, having shot two people in a 2014 incident.

He has internalized his oppression deeply, as he says he grew up with a black, alcoholic father on the East Side, and claims to have hated the cops until a white FBI agent "saved" him from a life of certain ruin.

Kids at Rock City Church in the Short North know him as their youth pastor, where undoubtedly the seeds of hate are being sown into the next generation.

Thom Hartmann has long written and spoken on the topic of guns in the United States, along with many other topics. Of those topics he’s dealt with that I know anything about, I have not always agreed with him on every detail, but on most I’ve found him highly informative and persuasive. His new book, The Hidden History of Guns and the Second Amendment, is possibly the best book I’ve ever seen on its topic, both to read, and to pass along to anyone in the United States, whatever their current opinion on guns and gun laws may be, as well as to share with anyone else on earth who may be trying to understand why the United States seems to be allowing its own ongoing slaughter, with guns the second-leading cause of death among children in the United States.

With the likes of John Bolton and Elliot Abrams directing US foreign policy, the US government has abandoned all pretense of “plausible denial” for its illegal regime-change initiatives. The “humanitarian” bombs may not be falling but, make no mistake, the US is waging a full-bore war against the Bolivarian Revolution in Venezuela.

Back in 1998, Venezuela had had nearly a half a century of two-party rule. A duopoly, not unlike the Republican and Democratic parties in the US, alternated in power imposing a neoliberal order. Poor and working people experienced deteriorating conditions of austerity regardless of which party was in power.

Then third-party candidate Hugo Chávez was elected president. HeH He initiated what has become known as the Bolivarian Revolution, which has inspired the peoples of the world while engendering the enmity of both the US imperialists and the Venezuelan elites.

This article explores the contributions, shortcomings, and lessons of the Bolivarian Revolution’s two decades, in the context of the US regime-change efforts from its inception to current attempts by the US to install the unelected Juan Guaidó as Venezuela’s president.

 

The second act of Will Geer’s Theatricum Botanicum’s must-see Moby Dick - Rehearsed has some of the most exciting action scenes this critic has ever seen performed on the live stage. When the whalers harpoon and pursue the Great White Whale the thrilling sea chase could be called the “Topanga Sleigh Ride.”

 

Orson Welles is best known for his work behind and in front of the movie camera but before he went Hollywood with the 1941 masterpiece Citizen Kane the “boy wonder” was famous for his stage work. From Dublin’s Abbey Theatre to Broadway, during the 1930s the prodigious “prodigy” mounted memorable plays, notably the so-called Voodoo Macbeth at Harlem’s Lafayette Theatre, The Cradle Will Rock (which a superb Tim Robbins’ 1999 film reminds us was literally shutdown at the point of a bayonet) and a modern dress version of Julius Caesar that cleverly invoked fascism.

 

By Harvey Wasserman, Reader Supported News

10 June 19

 

 huge proposed bailout of two Chernobyl-in-progress Ohio nukes (plus two old coal burners) would put $20 million directly into the pockets of seven utility executives. Their bankrupt company last year spent $3 million “lobbying” the legislature.

Akron’s bankrupt FirstEnergy (FE) owns the Perry nuke, east of Cleveland, which in 1986 became the first US reactor damaged by an earthquake. Critical pipes and concrete were cracked, as were nearby roads and bridges. A top-level state study showed soon thereafter that evacuation amidst a major accident would be impossible.

Words in handwriting font Free Cece! and a black woman's face at bottom with her being an angel above her

Tuesday, June 11, 6-9pm
Beeler Gallery, Columbus College of Art & Design, 60 Cleveland Ave.
This is the THIRD Community Pride event!

We will host a free screening of the documentary "Free CeCe!", followed by a panel discussion that will highlight transmisogynoir and it's daily violence against Black trans women, as well as the systemic dehumanization and criminalization of Black trans people.

When Black trans women are under attack, what do we do? Stand up, fight back!

Trailer: https://www.youtube.com/watch?v=PNjzvlI0VxM

Young Black woman smiling and posing with her hand to her chin next to a painting

Queer and trans people of color showcased their artistic, poetic and musical talents by performing at the “Community Pride: Decades of Resistance” kickoff event on June 4th at The Vanderelli Room. The theme of this grassroots festival references the origins of Pride as a revolt against state violence to commemorate the 50th anniversary of the Stonewall Riots that trans women of color like Marsha P. Johnson and Sylvia Rivera had leading roles in. The first event was titled “Speak Up: Columbus Community Pride Spoken Word” to celebrate the radical nature of queer existence.

Dkéama Alexis and Charlie H.A. Stewart are co-directors of this year’s grassroots pride and are leading the Consciousness team of Community Pride. Alexis explained what decades of resistance means in their kickoff speech in the beginning of the show to highlight the need to stand up for the most marginalized members of queer communities.

Half of a drama mask smiling and words Columbus Black Theater Festival

The Columbus Black Theatre Festival (CBTF) celebrates its seventh year this July. As an African American playwright myself, my goal for the CBTF is to showcase original plays by other Black playwrights – especially new playwrights – to encourage them and others to tell our stories so that our generation can leave our future generations a blueprint of our lives as we lived them in our time.

When I first started the CBTF there were those who wanted the “Black” removed from the name, said it would be offensive to some races of people. My response was that only Black people were concerned about what others thought when the focus is put on their race. Columbus, Ohio has a wide variety of festivals throughout the summer. We have an Asian Festival, a German Festival, an Italian Festival and so many other festivals. Why can’t we have a Black Festival?

Lots of people in rows posing for the camera holding a sign that says Keep Miriam Home

Monday, June 10, 2019, 6:30 – 8:30 PM 
Please join us on Monday, June 10th, at 6:30 p.m. as we continue the conversation on how we can best support Miriam Vargas and her family.  Facebook.  

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