Cinephiles and movie lovers are treated as passive and apolitical consumers in the profit driven commercial film industry. The new leftist, radical, and underground micro-cinema, NO EVIL EYE, offers audiences and artists in Columbus a politically charged space to nurture their love for the art of films. The personal is political. Art is personal and political.

Ingrid Raphaël and Rooney Elmi envisioned and materialized NO EVIL EYE. Ingrid is a video creator, archivist, educator and co-creator of GRID zine, a physical and digital zine highlighting the stories and experiences of black, brown, indigenous, people of color, immigrants and refugees living in the US. Rooney Elmi is a writer, programmer, and editor-in-chief of SVLLY(wood), an annual print and digital movie magazine geared toward curating a radical cinephilia. Their manifesto highlights their belief in bridging their leftist politics of anti-colonialism, internationalism, and solidarity with art.

Seventy-five years ago playwright Mary Chase’s Harvey started hip-hopping across the stage for four and a half years, as this whimsical classic about a great white rabbit went on to have one of the longest theatrical runs in Great White Way history. Chase’s three act play rather famously depicted well-to-do Ellwood P. Dowd, owner of a posh home somewhere in the Far West, also inhabited by his sister Veta Louise Simmons, his 20-ish niece Myrtle Mae and - much to the chagrin of the mother and daughter - the titular six-foot, three-and-one-half-inch, invisible rabbit. Ellwood regards Harvey to be his best friend, but his sister and niece consider the hare’s purported existence to be apocryphal and a source of embarrassment. Hilarity ensues.

Bob's article on Ohio Sneaky Stinkray in the Sky.

No matter how many times one