o watch America’s structural racism at work, one need look no further than the National Football League (NFL) and its treatment of nonviolent unorthodoxy as expressed by Colin Kaepernick going to one knee during the national anthem in support of the unacceptable thought that black lives should matter as much as anyone else’s. Of course, that’s still a relatively new idea in the United States, dating from 1863 in law and still not fully accepted in much of the country.

When politicians are feeling the heat, they start a war and their popularity goes up even if the war is unnecessary or completely ridiculous. Donald Trump, the presidential candidate who promised that he would not take the nation into another Middle Eastern war, did so when he launched a fifty-nine cruise missile barrage against a Syrian Air Base even before he knew for sure what had happened on the ground. It was totally stupid but proved to be popular, even among talking heads and Congressmen, some of whom described his action as “presidential” in the best sense of the word.

The Will Geer’s Theatricum Botanicum production of Alice Childress’ Trouble in Mind came to me as a theatrical revelation. It is a classic “the worm turns” tale: Manners (Mark Lewis) is a big shot white liberal Hollywood producer who is making his Broadway stage debut in order to make “serious art” with a play-within-the-play (likewise written by a Caucasian). Manners sincerely believes it’s a powerful, searing social statement about and indictment of racism. Trouble, which is set in the 1950s, also hints that Manners may have fled Tinseltown to escape what is euphemistically called “the investigation”: the Hollywood Blacklist and House Un-American Activities Committees’ purging of so-called subversives (like WGTB founder Will Geer, who was blacklisted).

Willetta (the venerable Earnestine Phillips) plays an African American actress who, in scene one, Act I, seems to pooh-pooh the notion of theater as high art with a mission, as advocated by enthusiastic Broadway newcomer John (Max Lawrence who also does a superlative job portraying the workaholic steed Boxer in WGTB’s Animal Farm).

Wednesday, August 30
St. Stephen's Episcopal Church, 30 W. Woodruff
Join us for a follow up to our past community conversation on how to better our community for Black LGBTQ+ people. This second conversation will be focused on bringing our minds together to action-plan and figure out what each of us can do to better our community.

If you are looking to figure out how to get involved in our cause, if you came to our community conversation on July 24 and wanted more time to work together and flesh out action items, and/or if you want to better yourself as an accomplice to LGBTQ+ people of color, we invite you to come out on Wednesday, August 30 to build with us. 

What to expect:
1. Short teach-in on the historical context of the #BlackPride4 and police brutality
2. Smaller team discussions grouped by skills and resources
3. Sharing our ideas and determining next actions as a group