Two years ago I moved back to Co lumbus, in part to care for a rela tive and in part because I missed the progressive community here (yes, there is one!). I moved away nine years before for a job in Lexington, KY and have since lived and worked within and outside of NOW, the National Organization for Women, in 5 states – OH, KY, WA, TN, MI and back to OH. Just before I moved back I went to a Columbus NOW meeting and decided to run for office hoping I’d have an immediate place to “plug in” once I got back and settled somewhat.

Frequently, when attending gatherings, meetings, rallies, workshops, conferences or classes I get asked two things: Isn’t feminism dead (or over)? and What does NOW do (I thought it didn’t exist anymore)?

These questions point to the myths about feminism (and, indirectly about democracy, rights, freedom, and liberty) and about the strengths, visibility and power of organizations like NOW.

“Boycott the News” is an indirect boycott designed to correct bias and censorship in the news coverage of the war. It aims to disrupt the flow of advertising revenue that supports the network newscasts. The combined effect of September 11th and the current war in Iraq has created a difficult climate for advertising on network newscasts. The time for this type of boycott is now because there are several weak links in the revenue chain of the networks. In the first week of the war the networks had 100 million dollars worth of ads pulled. No one wanted to be associated with the war and the anxiety it was expected to bring.

In the latest sign of a troubled American democracy, a large majority of U.S. citizens now say they wouldn’t mind if no weapons of mass destruction are found in Iraq, though it was George W. Bush’s chief rationale for war. Americans also don’t seem to mind that Bush appears to have deceived them for months when he claimed he hadn’t made up his mind about invading Iraq.

As he marched the nation to war, Bush presented himself as a Christian man of peace who saw war only as a last resort. But in a remarkable though little noted disclosure, Time magazine reported that in March 2002 – a full year before the invasion – Bush outlined his real thinking to three U.S. senators, “Fuck Saddam,” Bush said. “We’re taking him out.”

Time actually didn’t report the quote exactly that way. Apparently not to offend readers who admire Bush’s moral clarity, Time printed the quote as “F— Saddam. We’re taking him out.”

My fellow advocate for peace,

For more than six months, millions of people throughout the world have joined together against war. Millions have instead stood for peace. And, while we support our sons and daughters, our brothers and sisters, our friends and relatives who are enlisted in the service of our great nation, we are united and unwavering in our belief that the conflicts of the world cannot be resolved through perpetual warfare.

As you may know, I am running for President of the United States. I am running because I believe in the cause of perpetual peace, not perpetual war. I believe we must reach out to our adversaries, not with fists clenched to cause mutual pain, but with open hearts to establish mutual understanding.

While I am running for the highest public office in our great democracy, my sights are set even higher than victory in a single election. With your help, I am also trying to build a movement for progressive social, economic, and political change.

April 7, 2003

Dear friends,

It appears that the Bush administra- tion will have succeeded in coloniz ing Iraq sometime in the next few days. This is a blunder of such magnitude — and we will pay for it for years to come. It was not worth the life of one single American kid in uniform, let alone the thousands of Iraqis who have died, and my condolences and prayers go out to all of them.

So, where are all those weapons of mass destruction that were the pretense for this war? Ha! There is so much to say about all this, but I will save it for later.

Oh good. It looks as though we’re going to have as big a fight over postwar plans for Iraq as we did over the war itself. Just what we need, more of everybody being at everybody else’s throat.

Defense Secretary Donald Rumsfeld, who seems prepared to run the world, favors one Ahmed Chalabi of the Iraqi National Congress, an exile-emigre group, as postwar leader (read figurehead-puppet). Chalabi is bitterly opposed by both the State Department and the CIA.

According to Knight-Ridder’s Jonathan Landay, American military planes flew Chalabi and 700 troops, the newly named “First Battalion of Free Iraqi Forces,” into Nasiriyah Sunday to be integrated into Gen. Tommy Franks command. Landay reports, “Senior administration officials said that Chalabi had had difficulty recruiting enough forces to go into southern Iraq and may have tapped the discredited Badr Brigade, an Iranian-backed Shiite Muslim group, to get his 700 soldiers.” Think how happy the Iraqis will be to see some detachment from their old enemy Iran.

The full-scale, U.S.-led war in Iraq may be over, but who will liberate the Iraqis from the United States?

Articles include:

Bush’s Alderaan

Saving Hope -- Trash to Teasure: the story of Ohio's egg industry's tiniest victims

I’ve been friends with the guys in Denovo for I don’t know how long – hell, I was in bands with some of them. I listened to Jason, Marc, Chris and Sean write these songs. But I’ve moved, and Sunday is no longer dominated by Denovo practice day. While my life is a little quieter, it lacks the right soundtrack.

But my problem has been solved. Heartfelt, raw – somewhere between indie rock and hardcore – Denovo’s new seven-inch masters melodic, post-hardcore. While I’ve drifted away from a lot of indie records in the past couple of years, Denovo pulls me back with their authenticity and ingenuity.

On the instrument side, Denovo skillfully juxtaposes driving bass lines and creative drum work with guitars that alternate between fret-board acrobatics and driving synchronicity. The vocals are clean, heartfelt and complete Denovo’s sound. Sean met the other guys during the years Special Aviation Project, Denovo’s predecessor, was searching for a singer. When you listen to the seven-inch, you know why their search stopped with him.

By now, it's a media ritual. Whenever the U.S. government raises the alert level for terrorism -- as when officials announced the orange code for "high risk" on May 20 -- local, regional and national news stories assess the dangers and report on what's being done to protect us. We're kept well-informed about how worried to be at any particular time. But all that media churning includes remarkably little that has any practical utility.

Presumably, the agencies that are supposed to help safeguard the public don't need to get their directives via network news or the morning paper. As for the rest of us, the publicity is very close to useless -- unless we're supposed to believe that feeling anxious makes us safer or looking sideways at strangers will enhance our security.

Americans could be much better protected if journalists found other uses for some of that ink and air time. For instance, a lot of lives would be saved if news outlets did more to encourage people to stop smoking and avoid excessive alcohol intake. For that matter, public health could benefit greatly if media did a better job of confronting
The Ohio State University's entirely student-run musical theater group, Off the Lake, will present its annual spring musical: Kiss Me, Kate will be held in Hitchcock Hall on the OSU campus (2070 Neil Avenue) on May 29th, 30, and 31st at 8:00pm. Admission is only a canned good, which will later be donated to the Mid-Ohio food bank.

Based around Shakespeare's comedy Taming of the Shrew (the play within the play), Kiss Me, Kate is a lively mix of the old and the new, sure to keep many genres of audiences on the edge of their seats. Ex-lovers Fred Graham, an egotistical producer and the male lead, and Lilli Vanessi, a capricious stage diva, are reunited humorously to produce a musical version of Taming of the Shrew. Further hilarity ensues when two gangsters show up to collect an IOU and wind up on stage.

Featuring a 25-member cast and a 15-piece orchestra, Kiss Me, Kate offers much more than theatrics. The music and dancing of this straight- from-Broadway production are a force to be reckoned with.

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