Borderline: A Chip Off of Dusan Makavejev’s Cinematic Block
Serbian co-writer/director Ivana Mladenović’s Ivana the Terrible is many things, but one thing it most definitely is not is a sequel to Sergei Eisenstein’s 1940s Ivan the Terrible, Parts I and II. The cinematic style of this funny semi-autobiographical film is interesting in that Ivana plays a version of herself, as do her mother, father, grandmother and others in a mostly nonprofessional cast. Ms. Mladenović also relates that most of the events depicted onscreen actually happened to her. So Terrible is a hybrid movie, combining elements of documentary and fiction filmmaking.
Onscreen (and I guess offscreen) Ivana is from Kladovo, a small town on the Serbian-Romanian border. She moves to Bucharest, where she studies filmmaking and becomes an actress and director. In doing so Ivana turns into a local celebrity, the most famous living person from her hometown. But suffering from some unknown, undiagnosed ailment, when she returns to where she grew up Ivana finds out, like Thomas Wolfe before her, that “You Can’t Go Home Again.”