Composer Gaetano Donizetti may have been born in the 18th century and his 1835 opera Lucia di Lammermoor may be based on Sir Walter Scott’s The...
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21 September 2022
This critic usually reviews plays with deep social, psychological and philosophical significance, such as A Noise Within’s Animal Farm, Orwell’s...
18 September 2022
“What’s the point?” Everybody (Nicole Erb) plaintively asks about human existence as she confronts Death (a playful Anne Gee Byrd as a not so Grim Reaper)...
14 September 2022
Before the premiere of Sophocles’ Oedipus, most of the outdoor tables at the Getty Villa’s café were filled, and while dining I spied from afar a...
08 September 2022
Orwell’s Peerless Proletarian Parable: Socialism with an Animal Face
Not even Brecht or Odets could make this one up: Mere days before...
03 September 2022
“I feel like I’m in heaven!” gushed a glowing Ava DuVernay. I overheard the director of 2014’s Civil Rights epic Selma at the August 17 press preview...