Orange drawing of lots of people standing and holding signs that say Fight for $15

Thurs, May 17, 3:30-5pm, Ohio Statehouse, 1 Capitol Square
Rally in support of raising Ohio’s minimum wage to $15 an hour co-sponsored by the United Methodist Women, Policy Matters Ohio, the Ohio Poor People’s Campaign, and SEIU District 1199. We will start gathering at the West Plaza at 3:30 PM & the rally will begin at 4PM.

#LivingWage4All #OhioNeedsARaise #FightFor15 #UMW4LivingWage#UMWAssembly2018

Glass looking bottle with white lid and label that says AquaSalina sitting outside in nature with grass and trees around

Friends, I want to tell you the very disturbing news of a new corporate-driven scheme to poison you, your family and your pets with radioactive waste. 

Aqua Salina is a product you can purchase by the gallon at Lowe’s or a hardware store right now. It’s also sold in huge quantities to department of transportation regional garages for use as a de-icer. It’s bottled in the Cleveland area by an owner of several oil and gas wells. Aqua Salina has been sold for several years.

It is called "brine," marketed as “ancient sea water;” and it is bottled radioactive waste. Depending on the concentrations of radioactive toxins in this "ancient sea water," it is called "NORM" (naturally-occurring radioactive material) or "TENORM" (technologically-enhanced naturally-occurring radioactive material). Here's a page from the website of the seller and distributor of this poisonous stuff:   

It has been over a decade since I came to the realization that the entire profession of medicine had been bamboozled by the propaganda coming from the Big Pharma drug and vaccine maker Merck & Company that its so-called “fracture-preventative” drug Fosamax had defrauded us doctors and our patients by falsely claiming a “50% efficacy rate” in the prevention of bone fractures in osteopenic/osteoporotic women.

 

I had always been suspicious of pharmaceutical sales reps and the Big Pharma corporations that they worked for, and I had wondered exactly where they got the 50% effectiveness figure. So I finally got around to actually digging into and studying the clinical study statistics that were in the FDA-approved product insert that all drug and vaccine makers are forced to publish and include with the product (and which only a few physicians ever take the time or inclination to read).

 

Brad Zimmerman’s My Son the Waiter, which “Zimmy” wrote and stars in, opens with a string of Borscht Belt jokes. They’re funny, especially for those members of the tribe who grew up with this ethnic humor. Along with much of this show, these one-liners, quips, witticisms, etc., provide a red carpet for strolling down a mirthful memory lane back to when Jewish comics such as Shecky Greene and Buddy Hackett regaled mostly urban audiences vacationing at hotels in the mountains of upstate New York. 

 

The comedian/actor/auteur also good-naturedly kibitzes with ticket buyers. But after about 10 or 15 minutes of Zimmerman’s shtick the nostalgic spell begins to wear off, and we shift gears from high hilarity down to the mildly entertaining. Some may enjoy Zimmy’s zingers and amusing anecdotes. Others might find them to be “Meh.”

 

It has been over a decade since I came to the realization that the entire profession of medicine had been bamboozled by the propaganda coming from the Big Pharma drug and vaccine maker Merck & Company that its so-called “fracture-preventative” drug Fosamax had defrauded us doctors and our patients by falsely claiming a “50% efficacy rate” in the prevention of bone fractures in osteopenic/osteoporotic women.

 

I had always been suspicious of pharmaceutical sales reps and the Big Pharma corporations that they worked for, and I had wondered exactly where they got the 50% effectiveness figure. So I finally got around to actually digging into and studying the clinical study statistics that were in the FDA-approved product insert that all drug and vaccine makers are forced topublish and include with the product (and which only a few physicians ever take the time or inclination to read).

 

 

While there have been some roller derby movies, notably in the 1970s with Raquel Welch’s 1972 Kansas City Bomber and the 1975 sci fi pic Rollerball, and more recently with Ellen Page, Drew Barrymore and Juliette Lewis in 2009’s Whip It, this fast moving sport on wheels is a unique, daunting setting for a live stage show. Somehow director and choreographer Rhonda Kohl and her gifted cast manage to pull it off with some imaginative “roll playing”, bringing Gina Femia’s For the Love Of frenetically and fully alive on the Theatre of NOTE’s boards.

 

Caricature of white lady with glasses and brown hair

An amazing amount of progress has been made over the past month or so. America has catapulted itself all the way from the 1990s to 2016. The furthest-right elements of both major parties were again successful in the primaries. Another woman is seeking a powerful job on the back of behaving like the worst men. North Korea continues to consume headlines. Not even two years of an irredeemable president and declining enthusiasm on the left could convince our national leaders to change.

Four states held primary elections last week. Ohio, West Virginia, North Carolina, and Indiana went to the polls to select who will battle for office in November. There were no results to excite or inspire genuine progressives. As in the year of the Donald, Republicans competed to be the most disgraceful candidate, and, in many cases, the worst-of-the-worst won. The Democratic Party forced out progressives before the primaries and went medieval on those who dared to stay in the race.

Black and white photo of women and children walking down a dusty path outside with the woman in the foreground carrying a big heavy bag on her head

Tuesday, May 15, 4:30-6:30pm
Broad Street United Methodist Church, 501 E. Broad St.
We will gather outside Broad St. United Methodist Church (corner of E. Broad St and S. Washington Ave) at 4:30 PM for a March to the Statehouse.

This event is in the planning stage. Please contact us if you would like to be part of the planning of this event at centralohio@jvp.org or message us on Facebook. We need speakers who can relate the history to the continued displacement of Palestinians in East Jerusalem and the West Bank. 

Around 90 years before Stormy Daniels burst onto the scene, Mae West shook vaudeville, Broadway, Hollywood and then Las Vegas. Buzzworks Theater Company’s Sex is a buzzworthy revival of West’s play. After Sex’s 1926 Broadway premiere, the comedy’s playwright/star “was arrested, fined $500, and sentenced to ten days in prison,” according to Gregory D. Black, author of Hollywood Censored, which features a picture of West from her 1933 movie She Done Him Wrong on the book’s cover.

 

A faux radio news bulletin about West’s bust (no pun intended - the actress was so well-endowed she gave her name to life preserver jackets) cleverly opens Buzzworks’ production of Sex. While the two-acter’s dialogue may have seemed cutting edge during the Roaring Twenties, to 21st century ears used to a discourse continuously coarsened, from pop culture to the presidency, many of the lines today sound corny and campy.

 

Latino man in foreground with drum around his neck and hitting it with drumsticks, his mouth open chanting, wearing a shirt that says Boycott Wendys with a picture of a girl's head with red pigtails and a No sign around it (circle with line through it) and a Latino woman behind him holding a bright orange and yellow sign also with her mouth open chanting

Saturday, May 12, 2018 6:30-11pm
1021 E. Broad St., Columbus
Parking in side driveway, front or rear parking lot

Come to network and socialize with progressive friends with refreshments, music, and presentations: 
Tim Chavez and the Immokalee workers Wendy's Boycott
Free, no RSVP required.
614-253-2571, colsfreepress@gmail.com
columbusfreepress.org

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