If someone skated during the past 27 years, Donnie Humes probably skated with and/or caught them pulling a trick that made their week.

Mr. Humes has been putting out at skateboard zine Smelly Curb since 1987.

Smelly Curb and Old Skool Skateboards are putting on a Halloween Curb Contest on October 26th at the Westerville Skatepark. Issue 44 of Smelly Curb is also on the way.

Humes laughed when I inquired about the content of Smelly Curb Issue one, replying. “The First Issue was really corny. Think about you being awkward and 17, thinking you know everything.”

We were standing on a hill above the Dodge Skate Park bowl on the West side of Columbus, that is part of Dodge Recreation Center. This is the skateboard wing of the Dodge Park Rec Center which Humes helped open and run from 1990-1995.

During these formative years of Columbus skateboarding, Humes and his buddies were pulling grinds on curbs around town on their way to punk shows at Staches.

Unless you’ve been living under a rock for the last two months, you know that English heavy metal band Spinal Tap is coming to Ledo’s Tavern on Halloween night (Friday, Oct. 31st). Having been a huge Tap fan since their psychedelic period in the late 1960’s, I was absolutely thrilled to sit down with singer David St. Hubbins and lead guitarist Nigel Tufnel to discuss the upcoming show.

FREE PRESS: So to begin with, Spinal Tap hasn’t toured in at least a decade. Why did you choose to kick this tour off in Columbus?

ST. HUBBINS: Well, we used to have a tendency to confuse Columbus with Cleveland and Springfield, which saddened our Columbus fans tremendously.

TUFNEL: We felt we had a karmic debt, so to speak.

ST. HUBBINS: Exactly. So to square things with the universe, we decided to start the tour in Cleveland.

FP: How did you settle on Ledo’s Tavern as a venue?

ST. HUBBINS: Well, there is a great deal of mystical symbolism in the letter L

TUFNEL: And they had the best insurance.

Not only is my middle name Donovan, I'm a huge Donovan fan. And while I often refer to my Irish-Slovenian hot headed jugulars for those many times when I get p.o.'ed, truth is there is a folk side to me. Not everything's gotta be “Street Fightin' Man” for me, though it took me decades to stop passing over soul ballads when I played my favorite R'n'B dance records.

In reality, as much as I loved Donovan I never spent much time listening to whole Donovan albums. There was one called something about, I don't know, “Farting In the Wind,” or some such overly sensitivity to some mythical Anglo-Irish Western wind. Whatever. The material was sorta substandard. I mean, thanks to Mickie Most, legendary '60s British record producer, it is mostly Donovan's Most-produced hits that slayed me like a dragon: “Mellow Yellow,” “Wear Your Love Like Heaven,” “Eptistle To Dippy,” “There Is A Mountain,” “Jennifer Juniper,” “Lalena,” “Atlantis,” “To Susan On the West Coast Waiting,” “Barabajagal” and one of the heaviest songs ever made, “Hurdy Gurdy Man.”

Did you know “The Last of the Red Hot Mamas” was Jewish?

Sophie Tucker (1887-1966) was regarded as a pioneer among female entertainers, performing material that was risqué for her time. Yet she was the product of a particularly strict Jewish upbringing. “She grew up in an Orthodox family,” said Emily Schuss, director of the Columbus Jewish Film Festival. “But obviously she then kind of went off that path a little bit to become an entertainer.”

Tucker’s life and career are celebrated in The Outrageous Sophie Tucker, a documentary featured in the 10th of the series’ less-serious offerings, Schuss said, but certainly not the only one.

For example, there’s It Happened in St. Tropez, which Schuss described as a “really light French comedy.” These and other films should appeal to viewers of all backgrounds, she said. “The films are really diverse this year,” Schuss said. “You know, a lot of people think, ‘Oh, they’re just going to show a bunch of Holocaust movies,’ but we really don’t.”

Between the growing acceptance of geek culture and an emphasis on a player-friendly style, the fantasy role-playing game Dungeons & Dragons brought in a lot of new players with its 4th Edition books and carved out an even bigger niche for itself in the pop culture consciousness. Now, after a couple years of playtesting at conventions and going online for feedback, Wizards of the Coast has released a 5th Edition of the classic game.

The 4th Edition, while very newbie-friendly, was also controversial among older players who complained that it changed too much. A newer game called Pathfinder, heavily inspired by earlier versions of D&D, became a serious competitor. So with the 5th Edition D&D has taken a step back. It feels much more like 3rd Edition (or 3.5) than 4th. This does mean that once again certain classes — magic-users, primarily — are more complicated to play than others, but there are fewer temporary buffs and debuffs to track. Combat in general has been simplified and in the games I’ve played it goes faster, even with a lot of players at the table.