The central assumption of democracy — beyond the assumption of fair elections, which is disturbingly questionable — is that voters are the possessors of their own “interests,” and vote for the candidate most sympathetic to them.

But of course those interests are fair game for advertising, bombast and propaganda — and the psychology of fear.

Thus, not only are candidates capable of misrepresenting their support of people’s interests, even more insidiously, they engage baldly in manipulating them. This is a game that turns the endless presidential campaign season, especially as it is conveyed to us in the mainstream media, into little more than a mish-mash of clashing sound bites: full of sound and fury, you might say, but signifying nothing, or at least nothing much.

The two-party system, which comes to us courtesy of Big Money and is taken so seriously by the media — as seriously as any advertising campaign takes itself — is, essentially, a race to seize control over the nation’s collective reptile brain.

Let’s make America great again!

If someone has had the good fortune not to encounter the world of U.S. police and prisons, and the misfortune to learn about the world from U.S. schools, entertainment, and "news" media, a great place to start understanding one of the worst self-inflicted tragedies of our era would be with James Kilgore's short new book, Understanding Mass Incarceration: A People's Guide to the Key Civil Rights Struggle of Our Time, followed up by Radley Balko's longer Rise of the Warrior Cop: The Militarization of America's Police Forces.

Understanding human conflict requires us to understand human psychology. And it is only when we understand the psychology that drives conflict that we can take intelligent steps to address it.

Unfortunately, understanding the psychology of conflict is not easy and I would like to illustrate one significant problem in this regard and explain what we can do about it. That problem is what is often called 'projection' or 'transference' and it illustrates the importance of emotional, as distinct from intellectual, content in any conflict.

Let me start by quoting a few carefully selected words from a lengthy dialogue recently published. http://peacefromharmony.org/?cat=en_c&key=628 The dialogue took place between two Israelis, two Palestinians and several individuals from other countries and was focused on the Israeli occupation of Palestine. It was concluded by the moderator's observation that 'our discussion has reached an impasse'.

No, I’m not referring to the U.S. election. I’m referring to “Bycatch.” The name refers not to fish accidentally caught and killed while trying to catch and kill other fish, but to humans murdered in a game in which the player hopes to murder certain other humans but knows that he or she stands a good chance of murdering some bycatch.

The Nazis never reached this height of banality in the general German public, but had they done so it would be a sinister feature of tens of thousands of Hollywood movies. If Russians sat around playing a board game that involved blowing up Ukrainian children, the Washington Post would have already published several front-page articles.

This is a game that puts you in the shoes of one particular human being, thus far, but imagines several engaging in the same activity in competition. In Bycatch you become Barack Obama going through his Tuesday murder list. But Bycatch imagines as many nations as people playing the game, each engaging in a drone murder spree against the others. Here’s an excerpt from the rules:

“How to strike

Teen flick tackles Israel’s cultural divide

If politicians were replaced by filmmakers, the hostility between Arabs and Israelis would soon evaporate. That’s the impression you get after watching any number of imported flicks that treat people on both sides of the issue with respect and understanding.

Often the stories focus on a friendship or romance between a Jew and a Muslim. Sometimes, as in the case of A Borrowed Identity, they focus on both.

Eyad (Tawfeek Barhom) is the proud son of Salah (Ali Suliman), a Palestinian Israeli who was forced to drop out of college after being implicated in a long-ago bombing. Salah wants his brainy son to have the opportunity he lost and is elated when Eyad is accepted into a prestigious school in Jerusalem.

As one of the school’s few Arabs, Eyad at first feels isolated. It’s not long, however, before he’s made his first two Jewish friends: Naomi (Danielle Kitzis), a flirtatious young woman, and Yonatan (Michael Moshonov), a fellow student who has muscular dystrophy.