Hard on the heels of the Debbie Allen-directed Fetch Clay, Make Man (see: https://hollywoodprogressive.com/stage/champ-and-the-chump), which depicted Stepin Fetchit, the star who personified the silver screen’s shuffling, lazy, buffoonish caricature of Blacks during the 1930s/40s, another play about motion picture racial tropes is being revived. As AmeriKKKa undergoes a spate of anti-Asian hate crimes, writer/actor/ director J. Elijah Cho’s terrific Mr. Yunioshi is an acerbic, sly skewering of stage and celluloid stereotypes of so-called “Orientals.”
In his one man show, Cho incarnates 1920-born Mickey Rooney, who started out as a child performer, became a sensation at MGM where he starred in musicals, the 16-picture Andy Hardy “all-American boy” series, et al, and was the world’s top box-office draw from 1939-1941. The oft-married Rooney’s career spanned nine decades, from vaudeville to the silent screen to technicolor, television and beyond.