Comic about wanting to pay for healthcare

In a world where advanced healthcare has not only been plausible, but widely available for decades, one would think that with time, healthcare would become better, easier to access, and if not free, very close to free.  Certainly, one would think this to be true of all resources that we need to survive.  Life should be getting easier with time, not harder.

We all know, however, that this is fundamentally not what has happened.  Instead, the United States, the wealthiest country in the world, has proven itself unable to provide its citizens dignified livelihoods, even when it comes to the most basic necessities. 

This has become abundantly clear with the country’s healthcare system.

The statistics speak for themselves:

Man sitting at a table

World War I tale uses gimmick to jaw-dropping effect 

When a director tries a novelty such as pretending to tell a story in one uninterrupted take, we’re likely to approach it with a little cynicism. After all, isn’t this just an attention-getting gimmick?

Admittedly, that was my suspicion when I began watching Sam Mendes’s World War I thriller, 1917. And I remained skeptical as British Corporals Blake and Schofield (Dean-Charles Chapman and George MacKay) set out on a seemingly impossible mission.

Eventually, though, Mendes won me over with help from co-screenwriter Krysty Wilson-Cairns and cinematographer Roger Deakins. This is a gimmick, yes, but a devilishly impressive one. More importantly, it’s used in the service of an exciting adventure and a sensitively told war story.

Guy in Cowboy hat playing a guitar

It’s late December, and I’m standing at the Dick’s Den bar with my brother Charlie a little after six o’clock. We’re here to play the Phil Ochs Tribute Show, along with a couple of other bands and solo musicians. But we’re really just watching the audience. 

The thirty odd souls that have come out on a cold Thursday night to pay tribute to the last protest singer. Forty-three years since Phil was last alive. Not much of a crowd, really, but this isn’t early sixties Greenwich Village. This is Columbus, collared shirts and half smiles nursing their bourbon and Black Labels, vodka and tonics. An all-ages crowd that are going to stay for the full two and a half hours.

The performers are nervous, as nervous as I’ve ever seen. The guitars sound a little out of tune – nerves make you press too hard on the strings. The songs are tight somehow – “I Ain’t a Marchin’ Anymore,” “Christmas in Kentucky,” “When I’m Gone.” 

Esther Flores passionately talking into a mic

Esther Flores is a fighter. She champions for the rights and dignity of all people and she fights against bigotry and prejudice. You want Esther on your side.

A Registered Nurse, Esther has created and developed a program, One Divine Line to Health, which provides vital services health care to those women caught up in sex trafficking in Columbus and especially on the infamous Sullivant Avenue on the Westside. She has also set up several safe houses within Columbus for women in recovery.

Raised in New York City, Esther is a woman of strong faith and characters. She teaches us that we can change our attitudes about trafficked women by calling them what they are, “Street Sisters” who deserve our care and understanding. One can see her red minivan driving around attending to her Sisters on the Westside.

Book cover of Solarpunk Winters

You may not know what solarpunk is, but the ideas it is based on may be the best chance our society has for surviving climate change. Solarpunk is a sub-genre of science fiction; it isn’t punk rock. However, like the best punk rock, it is based on challenging society’s status quos and speaking truth to power.   

Solarpunk challenges our conceptions of what the future can be. Solarpunk, and the closely related genre of hopepunk, challenge the popular view that the future will be horrible. Take a second to process that…the future might not be horrible. It’s kind of a remarkable idea! Solarpunk combines the concept of a hopeful future with the fact that climate change is happening.

Mandala logo for Comfest

Planning for ComFest 2020 is underway. This is a very special year. It is the beginning of a new decade.

Many will call 2020 the year of perfect vision and hope that it will be. This is a very special year for ComFest and Columbus. This will be the 50th ComFest event (in 1973 & ‘75 there were two Festivals and in 1974 there was no Festival).

2022 will be ComFest's 50th anniversary and should be a cause for a great celebration to start now. This is a celebration of ComFest and its long history and wonderful moments. It is also a celebration of the ongoing passing of the torch to the new generations of the volunteers and attendees that will lead ComFest into its 6th decade. But even more so, it is a celebration for Columbus and its progressive community and what we have accomplished together since ComFest in 1972. 

Cartoon of baby Jesus only its Trump in the manger

A sign at the Columbus’ December 17 Impeach and Remove rally joked: “Impeachment: It’s not just for blow jobs any more.” As funny as this saying is, the reality of what prompted the current impeachment process and society’s response is an atrocious state of affairs.

Even though Christianity Today (CT) came out for impeachment before Christmas, Trump’s die-hard MAGA fanatical white evangelical Christian base still seems to support him. ‘Tis the season for hypocrisy.

Perhaps they believed Trump when he promised during his campaign: "I’m going to be the greatest president God ever created.”

In 1998 CT, a leading voice in the evangelical movement had called for the removal of President Bill Clinton from office. CT argued that Clinton had to go because “unsavory dealings and immoral acts by the President and those close to him have rendered this administration morally unable to lead.”

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