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On May 17, with the intention of producing a live album, Tim Easton recorded his concert at Natalie's Coal Fired Pizza

JP: How'd you come to pick Natalie's to record a live album?

TE: I am recording most of my shows these days but I figured I would lean into that venue a little more and put up a few extra mics. Basically, I've published 100 songs out there in the world and I think it's time for me to make a double-live, solo acoustic album. Inspired by the Townes Van Zandt one and Doc Watson, who has a live double LP from Cornell University that really taught me a lot. I know it's ridiculous to think anybody would want that much Tim Easton solo acoustic on vinyl but I'm not really concerned about that.

JP: Are you happy with the results?

TE: I haven't heard a note yet, but I had a good time playing the shows so hopefully that translates.

JP: Still plan on releasing it?

TE: I'm going to release a double- live LP somehow someway. Whether it's all Natalie's recordings or not. I'm also recording a lot at a venue called Satori in Mobile, Alabama.

JP: Do you have a title yet?

 

 

Los Potosinos is a food truck located on Long Street just East of the Lincoln Theater that I was lured to by a colleague with the guarantee of being “the real authentic Mexican food deal”- the street cred being the owner is from Texas near the Mexican border. Since I’m a California stray who landed in the Midwest (as if being vegan wasn’t enough) I’m pretty discerning on what really qualifies as authentic Mexican food and one of the ways I rate this particular genre of cuisine is on their beans and rice.

 

Those two ingredients are staples of the health conscious vegan demographic, and quite interestingly, are also largely staples for the rest of the “poorest” peoples of the world (smashing the myth that vegan food is expensive- organic non-GMO beans and rice are still considerably cheaper than comparable animal products, pound for pound). The good news is; they passed on my opinion of authentic flavor.

 

 

 

Jahman Brahman is one of those musical groups that is difficult to categorize.

While they do fall within the realm of Jam Band, their lyrics and arrangements set them apart. Their shows are high energy and they attract a loyal following everywhere they play. After graduating from Ohio State they moved to Asheville, North Carolina to set up their home base and have been touring the country continuously ever since. I recently had the opportunity to ask Rowdy Keelor, drummer and vocalist, a few questions.

 

PP: You all went to Ohio State and got your start in Columbus. How does it feel when you come back to play?

RK: It's always mixed emotions coming back to CBUS...on one hand it's a glorious homecoming filled with family and friends. On the other, we self impose a little more pressure on ourselves to put on a unique, fresh show.

PP: How many ComFests have you played?

RK: This will be our third ComFest performance. Each one has been amazing and holds a special place in our memory.

 

 

Let me share something that ought to be obvious after 30 years of inflicting my musical opinions on the local long-suffering populace: music gives me a boner. Still. After all these years.

 

And I mean a big boner. A huge boner. A boner bigger than Boehner. A death-defying, trapeze swinging, no-safety-net-allowed, take-no-prisoners, gotta-have-my-musical-fix of a boner bigger than the Empire State Building with King Kong dancing the watusi on top!

 

It's really the only thing that soothes the beast inside. However, much as I try Buddhism and/or booze, it's music that...changes me.

 

OK, so what I'm saying, crudely, is that music supplies the transcendence I need in life.

 

And when the music is bad or just mediocre? No matter--boner! Sorta. Let's say a disinterested boner. But a boner nevertheless. Maybe bad music is its own special reward in my case because I get to write about how bad it was. And that's always fun because people love blood in their ink. I mean, I am karmic revenge. And I am a passionate bitcher. Thus, I often sport a transcendent, vengeful musical boner.

 

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