The Free Press is bringing back a Reviews section after some absence. We hope to review plenty of events around town. Check back frequently and if what\'s going on is any good.
Arts & Culture
Avi Shlaim self professes to be of the school of revisionist historians and his writing fully supports that claim. Throughout the writing one of the themes is the Israeli use of military power to solve its problems, a solution much preferred to negotiations and compromise. A corollary of this is that when negotiations were used, they were mainly as a mask to delay a solution while the ongoing status quo built more settlements and evicted more Palestinians from their homes and farms, especially after the 1967 war.
My brilliant singer-songwriter-activist long-time buddy has done it again.
Lyons is the singing satirist whose "Cows With Guns" has become the anthem of the vegan/vegetarian movement. The very idea of uzi-packin' bovines has become stock-in-trade for even those pacifists who would end at last the horrors of factory farming.
Dana has also rendered immortal a wide range of dam-busting, nuke-fighting, war-opposing activists. Their often lonely quest for peace, justice and the long-forgotten American way somehow finds a home in Lyons' range, which roams from the soulful to the sinful with shocking ease.
by John Farmer
Riverhead Books (division of Penguin), New York, 2009
In recent public opinion surveys, roughly half the country believes the official account of what occurred on 9/11/2001 to be substantially true, and half is skeptical. Apparently John Farmer, the man who penned the official 9-11 Commission Report in 2003, is in the latter group. Farmer has written a book as paradoxical as the Government testimony which he picks to pieces: He details one incident after another, meticulously documenting the lies that high government officials told in testimony before his commission. But even after leaving our mouths agape at the mendacity and deception of the Administration (the word ‘perjury’ appears nowhere in the book), he reports unskeptically other parts of the story for which this same Administration was the only source, as if he has no choice but to believe them.
WHO’S TO SAY WHAT’S OBSCENE? : POLTICS, CULTURE AND COMEDY IN AMERICA TODAY
CONFESSIONS OF A RAVING, UNCONFINED NUT: MISADVENTURES IN THE COUNTERCULTURE
It’s time our national government at last enshrines its most critical artistic need, that of “Satirist-Laureate.” The first nod must go to the man who has pioneered the idiom in modern America---Paul Krassner.
Since the days of Lenny Bruce, Krassner (a good friend, but no relation) has been poking brilliant fun at every sacred horse’s ass in American politics and culture.
He also remains our cutting edge critic on censorship and its pornographic twin. His two recent books slash to the core of the utter hypocrisy of the government sticking its nose in what we read and write, think and smoke.
The opinions of the Catholic church leaders who characterized capitalism as evil, as opposed to God’s will, and the way of Jesus, emphasized that it went against all of the main religion’s precepts about caring for one’s fellow citizen and the common good. For a country that pledges allegiance “under God” these contrasting statements are powerful.
Bruce Springsteen & the E Street Band; U2; Simon & Garfunkel; Metallica; Aretha Franklin; Annie Lennox; Stevie Wonder; Crosby, Stills & Nash along with Bonnie Raitt, Jackson Browne and James Taylor; Dion; Patti Smith; Smokey Robinson; the Jeff Beck Band; a surprise appearance by Mick Jagger; intros (both nights) by Tom Hanks (who said he did it "just to get the access pass") and much much more turned midtown into the center of the musical universe once again.
With two (almost) completely different concerts (Jerry Lee Lewis played both nights) the Hall of Fame celebrated its 25th Anniversary and raised more than $4 million for a permanent endowment for the Cleveland-based museum and the educational work in which it specializes. An HBO special from the show will debut at the end of the long Thanksgiving weekend, Sunday, November 29.
Fly Boy came in with a lounge style instrumental performed by the live band that he had with him on the stage. During one of his songs he called his group “Fly Mental” to the stage and about a third of those standing joined him on the stage to perform an interlude which was just amazing. Fly Boy decided to announce in between his next song that everyone on the stage with him doesn’t just say it, they live it.
Jim Crow America: A Documentary History
Catherine M. Lewis and J. Richard Lewis, eds.
University of Arkansas Press 2009
234 pp
Annotated Bibliography and Index
If slavery was the most pernicious chapter in American history, then Jim Crow is a close second. Defined as the legal, extralegal and customary separation of the black and white races, the system of Jim Crow successfully returned much of the United States, especially the eleven states of the Old Confederacy, back to slavery. It meant the loss of citizenship rights for African Americans, and was accompanied by crushing poverty and terrible hopelessness. A dual society allowed whites to retain financial, emotional and physical control over African Americans and was used to prop up the doctrine of white supremacy.
Jacqueline (better known as “Madame Urbain” to the people she helps) runs an organization called APAF which helps the women of Bamako get regulated pay and just treatment from their employers, but it does not stop there. Additionally, the organization helps women who were not able to get an education that enables them to sustain a normal life. Madame Urbain also knows that it is important to not only assist the women of Bamako, so she is a motivational speaker who talks to children currently enrolled in school, and villages where she has helped build schools.